Presenting Poetry
Composition, Publication, Reception
Herausgeber: Erskine-Hill, Howard; Mccabe, Richard A.
Presenting Poetry
Composition, Publication, Reception
Herausgeber: Erskine-Hill, Howard; Mccabe, Richard A.
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The presentation of poetry to auditor and reader from the sixteenth to the twentieth centuries.
The presentation of poetry to auditor and reader from the sixteenth to the twentieth centuries.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 284
- Erscheinungstermin: 31. Mai 2008
- Englisch
- Abmessung: 229mm x 152mm x 17mm
- Gewicht: 465g
- ISBN-13: 9780521078924
- ISBN-10: 052107892X
- Artikelnr.: 24496997
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Cambridge University Press
- Seitenzahl: 284
- Erscheinungstermin: 31. Mai 2008
- Englisch
- Abmessung: 229mm x 152mm x 17mm
- Gewicht: 465g
- ISBN-13: 9780521078924
- ISBN-10: 052107892X
- Artikelnr.: 24496997
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Introduction; Part I: 'Personae', Sequence and Commentary: 1. 'Little
booke: thy selfe present': the politics of presentation in The Shepheardes
Calendar Richard A. McCabe; 2. 'Cut without hands': Herbert's Christian
altar Alastair Fowler; 3. On historical commentary: the example of Milton
and Dryden Howard Erskine-Hill; 4. Sequences of reading: Pope's Moral
Essays and Intimations of Horace Pat Rogers; Part II. The Self Presented
and Revised: 5. Presenting jeopardy: language, authority, and the voice of
Smart in Jubilate Agno Tom Keymer; 6. Did Blake betray the French
Revolution? A dialogue of the mind with itself Jerome K. McGann; 7.
Presentation of the self in the composition of The Prelude Robert Woof; 8.
The epiphanic mode in Browning's poetry Robert Langbaum; Part III.
Readerships Inherited and Invented: 9. Newman's leading Eric Griffiths; 10.
The politics of genre and audience in Yeats Seamus Deane; 11. The shaping
of D. H. Lawrence's Look We Have Come Through! Mark Kinkead-Weekes; 12.
Presentation and self-presentation in In Parenthesis Colin Wilcockson.
booke: thy selfe present': the politics of presentation in The Shepheardes
Calendar Richard A. McCabe; 2. 'Cut without hands': Herbert's Christian
altar Alastair Fowler; 3. On historical commentary: the example of Milton
and Dryden Howard Erskine-Hill; 4. Sequences of reading: Pope's Moral
Essays and Intimations of Horace Pat Rogers; Part II. The Self Presented
and Revised: 5. Presenting jeopardy: language, authority, and the voice of
Smart in Jubilate Agno Tom Keymer; 6. Did Blake betray the French
Revolution? A dialogue of the mind with itself Jerome K. McGann; 7.
Presentation of the self in the composition of The Prelude Robert Woof; 8.
The epiphanic mode in Browning's poetry Robert Langbaum; Part III.
Readerships Inherited and Invented: 9. Newman's leading Eric Griffiths; 10.
The politics of genre and audience in Yeats Seamus Deane; 11. The shaping
of D. H. Lawrence's Look We Have Come Through! Mark Kinkead-Weekes; 12.
Presentation and self-presentation in In Parenthesis Colin Wilcockson.
Introduction; Part I: 'Personae', Sequence and Commentary: 1. 'Little
booke: thy selfe present': the politics of presentation in The Shepheardes
Calendar Richard A. McCabe; 2. 'Cut without hands': Herbert's Christian
altar Alastair Fowler; 3. On historical commentary: the example of Milton
and Dryden Howard Erskine-Hill; 4. Sequences of reading: Pope's Moral
Essays and Intimations of Horace Pat Rogers; Part II. The Self Presented
and Revised: 5. Presenting jeopardy: language, authority, and the voice of
Smart in Jubilate Agno Tom Keymer; 6. Did Blake betray the French
Revolution? A dialogue of the mind with itself Jerome K. McGann; 7.
Presentation of the self in the composition of The Prelude Robert Woof; 8.
The epiphanic mode in Browning's poetry Robert Langbaum; Part III.
Readerships Inherited and Invented: 9. Newman's leading Eric Griffiths; 10.
The politics of genre and audience in Yeats Seamus Deane; 11. The shaping
of D. H. Lawrence's Look We Have Come Through! Mark Kinkead-Weekes; 12.
Presentation and self-presentation in In Parenthesis Colin Wilcockson.
booke: thy selfe present': the politics of presentation in The Shepheardes
Calendar Richard A. McCabe; 2. 'Cut without hands': Herbert's Christian
altar Alastair Fowler; 3. On historical commentary: the example of Milton
and Dryden Howard Erskine-Hill; 4. Sequences of reading: Pope's Moral
Essays and Intimations of Horace Pat Rogers; Part II. The Self Presented
and Revised: 5. Presenting jeopardy: language, authority, and the voice of
Smart in Jubilate Agno Tom Keymer; 6. Did Blake betray the French
Revolution? A dialogue of the mind with itself Jerome K. McGann; 7.
Presentation of the self in the composition of The Prelude Robert Woof; 8.
The epiphanic mode in Browning's poetry Robert Langbaum; Part III.
Readerships Inherited and Invented: 9. Newman's leading Eric Griffiths; 10.
The politics of genre and audience in Yeats Seamus Deane; 11. The shaping
of D. H. Lawrence's Look We Have Come Through! Mark Kinkead-Weekes; 12.
Presentation and self-presentation in In Parenthesis Colin Wilcockson.
