By examining a wide range of copy-specific features of individual books, the volume showcases how books were produced in incunabula period, and subsequently used and transformed during their long journeys till they fell into their current owners' hands.
By examining a wide range of copy-specific features of individual books, the volume showcases how books were produced in incunabula period, and subsequently used and transformed during their long journeys till they fell into their current owners' hands.
John Goldfinch is a former Curator of Incunabula at the British Library. He worked on the Incunabula Short Title Catalogue (ISTC) from 1985, and has published on the history and provenance of the historic collections at the British Library. Takako Kato, PhD, is Senior Lecturer at De Montfort University. Recent publications include 'Lost, Burned and Recovered: Tracing the Provenance History of a Copy of Caxton's Golden Legend in the John Rylands Library', The Library, 7th ser., 23 (2022); and 'Manuscript and Print: Discontinuity and Continuity in the Transmission of Arthurian Tales, in A. Putter, C. Ferlampin-Acher and R. Radulescu (eds.), Late Arthurian Traditions in Europe (Presses Universitaires de Rennes, 2020). Satoko Tokunaga, PhD, is Professor at the Faculty of Letters at Keio University, Tokyo. She works on the manuscript and print cultures of late medieval England. She is a co-editor of Caxton's Golden Legend, EETS o.s. 355, 357 (Oxford University Press, 2021-22).
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