James F. Austin
Proust, Pastiche, and the Postmodern or Why Style Matters
James F. Austin
Proust, Pastiche, and the Postmodern or Why Style Matters
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In this book, Austinargues against the traditional critical view that minimizes Proust's practice of pastiche-the imitation of a writer's style-and that considers it a simple exercise of mastering the predecessor. Instead, this work establishes pastiche as a powerful, ubiquitous practice central to Proust's entire oeuvre.
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In this book, Austinargues against the traditional critical view that minimizes Proust's practice of pastiche-the imitation of a writer's style-and that considers it a simple exercise of mastering the predecessor. Instead, this work establishes pastiche as a powerful, ubiquitous practice central to Proust's entire oeuvre.
Produktdetails
- Produktdetails
- Verlag: Bucknell University Press
- Seitenzahl: 250
- Erscheinungstermin: 28. August 2013
- Englisch
- Abmessung: 235mm x 157mm x 19mm
- Gewicht: 562g
- ISBN-13: 9781611484106
- ISBN-10: 1611484103
- Artikelnr.: 36873865
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Bucknell University Press
- Seitenzahl: 250
- Erscheinungstermin: 28. August 2013
- Englisch
- Abmessung: 235mm x 157mm x 19mm
- Gewicht: 562g
- ISBN-13: 9781611484106
- ISBN-10: 1611484103
- Artikelnr.: 36873865
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
James F. Austin is associate professor of French at Connecticut College.
Contents
Introduction
1. Proust in School
French Education and Pastiche
Proust the Schoolboy, or, Pastiche Revisited
The "Pedagogical Scene" in A l'ombre des jeunes filles en fleurs
An Apple for Andrée: Pedagogy and Education Reform in Proust's Recherche
2. Parody and Pastiche in Nineteenth-Century French Literature
Parody vs. Pastiche A few examples of nineteenth-century pastiche 3. Why
Proust's pastiches are neither parodic, nor a proof of mastery
over the predecessor
Proust's PastichesThe "Affaire Lemoine" PastichesWhy Proust Wrote Pastiche
(Critical Views of the Last Four Decades)Self-pastiche4. What can pastiche
do?
Pastiche as PerformanceRetroactive literatureFlaubert, à la ProustJe me
suis toujours fait une certaine idée de Balzac...How to Make Friends With
Words (Literature as Socially Performative)On the "Seriousness" of
Pastiche5. Pastiche as Politically and Economically Performative in the
RecherchePerformative styles and imperative politics: Proust's "optatif"
Buy!
Proust: Copiest, Pasticheur, or Pierre Menard? A genetic examination of the
manuscript.
The politics of media and advertising6. Proust's Goncourt Pastiche and the
Postmodern
Proust Postmodern?What is Postmodernism? A Theoretical
Introduction.Postmodern PasticheFrom the "first style" to the
"neo"Glimmerings of Postmodern Nostalgia: The Goncourt PasticheThe End of
Influence, the Beginning of Postmodernity
7. Literary Pastiche Since Proust
Proustian Pastiche after Proust
Martin-Chauffier, Maurois, and Modiano, or "Pasticheur pastiché"
OuLiPo: Potential Literature
Right-Wing Pastiche (Vichy and the Collaborationists)Pastiche: Literary
Genre, or Mere Moment?
8. Pastiche Proustian, Postmodern, and Purloined in the Cinema, or,
Where's the pastiche in French Film?
Jameson's mode rétro: Filming "the imaginary style of a real past"Ruiz's Le
temps retrouvéStan Douglas's "Overture": An adaptation counterexample to
heritage pastiche
9. Postmodern Pastiche in the Films of Rohmer and Gans
Rohmer's L'anglaise et le duc: The Eighteenth Centuryas You Have
Always/Never Seen It Hutcheon and Jameson on pastiche: the critical
potential
of postmodernism
Critical malgré soi: Le pacte des loups
Conclusion
Bibliography
Index
About the Author
Introduction
1. Proust in School
French Education and Pastiche
Proust the Schoolboy, or, Pastiche Revisited
The "Pedagogical Scene" in A l'ombre des jeunes filles en fleurs
An Apple for Andrée: Pedagogy and Education Reform in Proust's Recherche
2. Parody and Pastiche in Nineteenth-Century French Literature
Parody vs. Pastiche A few examples of nineteenth-century pastiche 3. Why
Proust's pastiches are neither parodic, nor a proof of mastery
over the predecessor
Proust's PastichesThe "Affaire Lemoine" PastichesWhy Proust Wrote Pastiche
(Critical Views of the Last Four Decades)Self-pastiche4. What can pastiche
do?
Pastiche as PerformanceRetroactive literatureFlaubert, à la ProustJe me
suis toujours fait une certaine idée de Balzac...How to Make Friends With
Words (Literature as Socially Performative)On the "Seriousness" of
Pastiche5. Pastiche as Politically and Economically Performative in the
RecherchePerformative styles and imperative politics: Proust's "optatif"
Buy!
Proust: Copiest, Pasticheur, or Pierre Menard? A genetic examination of the
manuscript.
The politics of media and advertising6. Proust's Goncourt Pastiche and the
Postmodern
Proust Postmodern?What is Postmodernism? A Theoretical
Introduction.Postmodern PasticheFrom the "first style" to the
"neo"Glimmerings of Postmodern Nostalgia: The Goncourt PasticheThe End of
Influence, the Beginning of Postmodernity
7. Literary Pastiche Since Proust
Proustian Pastiche after Proust
Martin-Chauffier, Maurois, and Modiano, or "Pasticheur pastiché"
OuLiPo: Potential Literature
Right-Wing Pastiche (Vichy and the Collaborationists)Pastiche: Literary
Genre, or Mere Moment?
8. Pastiche Proustian, Postmodern, and Purloined in the Cinema, or,
Where's the pastiche in French Film?
Jameson's mode rétro: Filming "the imaginary style of a real past"Ruiz's Le
temps retrouvéStan Douglas's "Overture": An adaptation counterexample to
heritage pastiche
9. Postmodern Pastiche in the Films of Rohmer and Gans
Rohmer's L'anglaise et le duc: The Eighteenth Centuryas You Have
Always/Never Seen It Hutcheon and Jameson on pastiche: the critical
potential
of postmodernism
Critical malgré soi: Le pacte des loups
Conclusion
Bibliography
Index
About the Author
Contents
Introduction
1. Proust in School
French Education and Pastiche
Proust the Schoolboy, or, Pastiche Revisited
The "Pedagogical Scene" in A l'ombre des jeunes filles en fleurs
An Apple for Andrée: Pedagogy and Education Reform in Proust's Recherche
2. Parody and Pastiche in Nineteenth-Century French Literature
Parody vs. Pastiche A few examples of nineteenth-century pastiche 3. Why
Proust's pastiches are neither parodic, nor a proof of mastery
over the predecessor
Proust's PastichesThe "Affaire Lemoine" PastichesWhy Proust Wrote Pastiche
(Critical Views of the Last Four Decades)Self-pastiche4. What can pastiche
do?
Pastiche as PerformanceRetroactive literatureFlaubert, à la ProustJe me
suis toujours fait une certaine idée de Balzac...How to Make Friends With
Words (Literature as Socially Performative)On the "Seriousness" of
Pastiche5. Pastiche as Politically and Economically Performative in the
RecherchePerformative styles and imperative politics: Proust's "optatif"
Buy!
Proust: Copiest, Pasticheur, or Pierre Menard? A genetic examination of the
manuscript.
The politics of media and advertising6. Proust's Goncourt Pastiche and the
Postmodern
Proust Postmodern?What is Postmodernism? A Theoretical
Introduction.Postmodern PasticheFrom the "first style" to the
"neo"Glimmerings of Postmodern Nostalgia: The Goncourt PasticheThe End of
Influence, the Beginning of Postmodernity
7. Literary Pastiche Since Proust
Proustian Pastiche after Proust
Martin-Chauffier, Maurois, and Modiano, or "Pasticheur pastiché"
OuLiPo: Potential Literature
Right-Wing Pastiche (Vichy and the Collaborationists)Pastiche: Literary
Genre, or Mere Moment?
8. Pastiche Proustian, Postmodern, and Purloined in the Cinema, or,
Where's the pastiche in French Film?
Jameson's mode rétro: Filming "the imaginary style of a real past"Ruiz's Le
temps retrouvéStan Douglas's "Overture": An adaptation counterexample to
heritage pastiche
9. Postmodern Pastiche in the Films of Rohmer and Gans
Rohmer's L'anglaise et le duc: The Eighteenth Centuryas You Have
Always/Never Seen It Hutcheon and Jameson on pastiche: the critical
potential
of postmodernism
Critical malgré soi: Le pacte des loups
Conclusion
Bibliography
Index
About the Author
Introduction
1. Proust in School
French Education and Pastiche
Proust the Schoolboy, or, Pastiche Revisited
The "Pedagogical Scene" in A l'ombre des jeunes filles en fleurs
An Apple for Andrée: Pedagogy and Education Reform in Proust's Recherche
2. Parody and Pastiche in Nineteenth-Century French Literature
Parody vs. Pastiche A few examples of nineteenth-century pastiche 3. Why
Proust's pastiches are neither parodic, nor a proof of mastery
over the predecessor
Proust's PastichesThe "Affaire Lemoine" PastichesWhy Proust Wrote Pastiche
(Critical Views of the Last Four Decades)Self-pastiche4. What can pastiche
do?
Pastiche as PerformanceRetroactive literatureFlaubert, à la ProustJe me
suis toujours fait une certaine idée de Balzac...How to Make Friends With
Words (Literature as Socially Performative)On the "Seriousness" of
Pastiche5. Pastiche as Politically and Economically Performative in the
RecherchePerformative styles and imperative politics: Proust's "optatif"
Buy!
Proust: Copiest, Pasticheur, or Pierre Menard? A genetic examination of the
manuscript.
The politics of media and advertising6. Proust's Goncourt Pastiche and the
Postmodern
Proust Postmodern?What is Postmodernism? A Theoretical
Introduction.Postmodern PasticheFrom the "first style" to the
"neo"Glimmerings of Postmodern Nostalgia: The Goncourt PasticheThe End of
Influence, the Beginning of Postmodernity
7. Literary Pastiche Since Proust
Proustian Pastiche after Proust
Martin-Chauffier, Maurois, and Modiano, or "Pasticheur pastiché"
OuLiPo: Potential Literature
Right-Wing Pastiche (Vichy and the Collaborationists)Pastiche: Literary
Genre, or Mere Moment?
8. Pastiche Proustian, Postmodern, and Purloined in the Cinema, or,
Where's the pastiche in French Film?
Jameson's mode rétro: Filming "the imaginary style of a real past"Ruiz's Le
temps retrouvéStan Douglas's "Overture": An adaptation counterexample to
heritage pastiche
9. Postmodern Pastiche in the Films of Rohmer and Gans
Rohmer's L'anglaise et le duc: The Eighteenth Centuryas You Have
Always/Never Seen It Hutcheon and Jameson on pastiche: the critical
potential
of postmodernism
Critical malgré soi: Le pacte des loups
Conclusion
Bibliography
Index
About the Author