This volume contains a collection of outstanding examples of psychoanalytic film criticism, applying different theoretical orientations, drawn from the first four years of the film review section in the International Journal of Psychoanalysis during author's tenure as film review editor.
This volume contains a collection of outstanding examples of psychoanalytic film criticism, applying different theoretical orientations, drawn from the first four years of the film review section in the International Journal of Psychoanalysis during author's tenure as film review editor.
Introduction The End of Time: A Psychoanalytic Perspective on Ingmar Bergman's Wild Strawberries Hitchcock's Vertigo: The Collapse of a Rescue Fantasy Neil Jordan's The Crying Game Hidden in the Imagery: An Unconscious Scene in The Conformist 'Ah Doctor, is there Nothin' I Can Take?': A Review of Reservoir Dogs Arthur Penn's Night Moves: A Film that Interprets Us Lone Star: Signs, Borders and Thresholds Letters, Words and Metaphors: A Psychoanalytic Reading of Michael Radford's Il Postino Truffaut and the Failure of Introjection I Have Not Spoken: Silence in The Piano Over Exposure: Terry Zwigoff's Crumb Narrating Desire and Desiring Narration: A Psychoanalytic Reading of The English Patient The Remains of the Day Deconstructing Dirty Harry: Clint Eastwood's Undoing of the Hollywood Myth of Screen Masculinity in Play 'Misty' For Me The Thing from Inner Space: Titanic and Deep Impact Chinatown Saving Private Ryan's Surplus Repression M (1931) Remembering and Repeating in Eve's Bayou Watching Voyeurs: Michael Powell's Peeping Tom (1960) Egoyan's Exotica: Where does the Real Horror Reside? The Real Thing? Some Thoughts on Boys Don't Cry Fifteen Minutes of Fame Revisited: Being John Malkovich The Sixth Sense
Introduction The End of Time: A Psychoanalytic Perspective on Ingmar Bergman's Wild Strawberries Hitchcock's Vertigo: The Collapse of a Rescue Fantasy Neil Jordan's The Crying Game Hidden in the Imagery: An Unconscious Scene in The Conformist 'Ah Doctor, is there Nothin' I Can Take?': A Review of Reservoir Dogs Arthur Penn's Night Moves: A Film that Interprets Us Lone Star: Signs, Borders and Thresholds Letters, Words and Metaphors: A Psychoanalytic Reading of Michael Radford's Il Postino Truffaut and the Failure of Introjection I Have Not Spoken: Silence in The Piano Over Exposure: Terry Zwigoff's Crumb Narrating Desire and Desiring Narration: A Psychoanalytic Reading of The English Patient The Remains of the Day Deconstructing Dirty Harry: Clint Eastwood's Undoing of the Hollywood Myth of Screen Masculinity in Play 'Misty' For Me The Thing from Inner Space: Titanic and Deep Impact Chinatown Saving Private Ryan's Surplus Repression M (1931) Remembering and Repeating in Eve's Bayou Watching Voyeurs: Michael Powell's Peeping Tom (1960) Egoyan's Exotica: Where does the Real Horror Reside? The Real Thing? Some Thoughts on Boys Don't Cry Fifteen Minutes of Fame Revisited: Being John Malkovich The Sixth Sense
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