Marilyn Charles is noted for her efforts to translate dense psychoanalytic terms into language that is accessible and clinically relevant. In Psychoanalysis, Literature, and Life: The Stories We Live, she pairs case vignettes with examples from literature to highlight essential human struggles that play out in the consulting room.
Marilyn Charles is noted for her efforts to translate dense psychoanalytic terms into language that is accessible and clinically relevant. In Psychoanalysis, Literature, and Life: The Stories We Live, she pairs case vignettes with examples from literature to highlight essential human struggles that play out in the consulting room.
Part I: LITERATURE, PSYCHOANALYSIS, AND SENSORY EXPERIENCE Introduction Epiphany: The Poet's Art, The Analyst's Instrument: Formal Structure as a Vehicle for the Expression of Primary Experience: To the LighthouseThe Waves: Tensions between Creativity and Containment in the Life and Writings of Virginia WoolfPart II: TRAUMA Falling Man: Encounters with Catastrophic ChangeTelling Trauma: The Wind-Up Bird ChroniclePart III: DREAMS The Book of Intimate Grammar: Transgenerational TraumaDreamscapes: Rectangular Spaces in Memoirs of a Survivor and in DreamsPictures at an Exhibition: Reparation and Redemption, Nightmare and MemoryPart IV: CULTURAL COLLISIONS Collisions Between Conscious and Unconscious; East and West; Enigma and Transparency: Kafka on the ShoreCultural Chasms: Catastrophic Change and the Excluded Other: Mulberry and PeachPart V: THE HERO'S QUEST: IDENTITY AND RELATEDNESS The Labyrinth, Part I: The MagusJourneys into the Labyrinth, Part II: Through the Unknown, Remembered Gate: The Glass Bead GameStanding Outside the Gates: Pierre, or the AmbiguitiesIdentity Derailed: The Echo MakerPart VI: RELATEDNESS, AGING, AND GENERATIVITY Identity, Community, and Object Choice, Part I: Mrs. Dalloway and Mrs. Stevens Hears the Mermaids SingingIdentity, Community, and Object Choice, Part II: Possession16. Aging and Death: The Map and the Territory, The Sense of an Ending, and All Passion
Part I: LITERATURE, PSYCHOANALYSIS, AND SENSORY EXPERIENCE Introduction Epiphany: The Poet's Art, The Analyst's Instrument: Formal Structure as a Vehicle for the Expression of Primary Experience: To the LighthouseThe Waves: Tensions between Creativity and Containment in the Life and Writings of Virginia WoolfPart II: TRAUMA Falling Man: Encounters with Catastrophic ChangeTelling Trauma: The Wind-Up Bird ChroniclePart III: DREAMS The Book of Intimate Grammar: Transgenerational TraumaDreamscapes: Rectangular Spaces in Memoirs of a Survivor and in DreamsPictures at an Exhibition: Reparation and Redemption, Nightmare and MemoryPart IV: CULTURAL COLLISIONS Collisions Between Conscious and Unconscious; East and West; Enigma and Transparency: Kafka on the ShoreCultural Chasms: Catastrophic Change and the Excluded Other: Mulberry and PeachPart V: THE HERO'S QUEST: IDENTITY AND RELATEDNESS The Labyrinth, Part I: The MagusJourneys into the Labyrinth, Part II: Through the Unknown, Remembered Gate: The Glass Bead GameStanding Outside the Gates: Pierre, or the AmbiguitiesIdentity Derailed: The Echo MakerPart VI: RELATEDNESS, AGING, AND GENERATIVITY Identity, Community, and Object Choice, Part I: Mrs. Dalloway and Mrs. Stevens Hears the Mermaids SingingIdentity, Community, and Object Choice, Part II: Possession16. Aging and Death: The Map and the Territory, The Sense of an Ending, and All Passion
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