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Never before has the relationship between psychoanalysis and performance been mapped out, either in terms of analyzing the nature of performance itself, or in terms of making sense of specific performance-related activities.
From rehearsal process to consciousness theory, from digital performance to collective social trauma, the arguments advanced here are based on the dual principle that psychoanalysis can help our understanding of performance, and that performance can illuminate the workings of the human psyche.
In this volume some of the most distinguished thinkers in the field make
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Produktbeschreibung
Never before has the relationship between psychoanalysis and performance been mapped out, either in terms of analyzing the nature of performance itself, or in terms of making sense of specific performance-related activities.

From rehearsal process to consciousness theory, from digital performance to collective social trauma, the arguments advanced here are based on the dual principle that psychoanalysis can help our understanding of performance, and that performance can illuminate the workings of the human psyche.
In this volume some of the most distinguished thinkers in the field make an exciting new connection based on the dual principle that psychoanalysis can provide a productive framework for understanding the work of performance, and that performance itself can help to investigate the problem of identity.
Autorenporträt
Patrick Campbell is Academic Chair of Performing Arts at Middlesex University. Adrian Kear is Senior Lecturer in Drama and Theatre Studies at the University of Surrey Roehampton.