The first ever study of illustrated belles lettres publishing in eighteenth-century Scotland, the book examines the strategies underpinning the making and the marketing of illustrated books. At the same time, it sheds light on those individuals (artists, engravers, bookseller-publishers) that were involved in the production of these works.
The first ever study of illustrated belles lettres publishing in eighteenth-century Scotland, the book examines the strategies underpinning the making and the marketing of illustrated books. At the same time, it sheds light on those individuals (artists, engravers, bookseller-publishers) that were involved in the production of these works.
List of Figures Acknowledgments Introduction Chapter 1: Staples of the Industry: Thomson Macpherson Ramsay and "The Scotish Poets" Chapter 2: The Morisons' Collections of Extracts The General Magazine and the Reprinting of Illustrations Chapter 3: Robert Chapman Chapman & Lang and the Production of Illustrated Editions in Glasgow Chapter 4: From Oliver & Co. to Oliver & Boyd: Associative-Adapting vs Dissociative Illustration Models Epilogue Index About the Author
List of Figures Acknowledgments Introduction Chapter 1: Staples of the Industry: Thomson Macpherson Ramsay and "The Scotish Poets" Chapter 2: The Morisons' Collections of Extracts The General Magazine and the Reprinting of Illustrations Chapter 3: Robert Chapman Chapman & Lang and the Production of Illustrated Editions in Glasgow Chapter 4: From Oliver & Co. to Oliver & Boyd: Associative-Adapting vs Dissociative Illustration Models Epilogue Index About the Author
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