Mike D'Errico is Director of Music Technology & Composition, Assistant Professor of Music & Computer Science, and Music Department Chair at Albright College, where he teaches courses in Music Production, Sound Design, Game Design, Songwriting, and User Experience Design. His research has appeared in Music, Sound, and the Moving Image, Journal on the Art of Record Production, and edited collections such as The Oxford Handbook of Electronic Dance Music; Electronic Cities: Music, Policies and Space in the 21st Century; Critical Issues to the Production of Music and Sound; and The Cambridge Companion to Hip-Hop. As an electronic music producer and sound designer, he makes hip-hop beats, electronic dance music tracks, and sound for video games and virtual reality applications. He is an Avid Certified Instructor in Pro Tools for Music and Game Audio, as well as an Apple Certified Pro in Logic Pro X. He earned his PhD in Musicology from UCLA, his Masters in Music from Tufts University, and his Bachelors of Music Education from the University New Hampshire.
Acknowledgements
About the Companion Website
Introduction: Interface Aesthetics
PART ONE: Sonic Architectures
1. Plugin Cultures
2. Monopolies of Competence
3. Terminal Aesthetics
PART TWO: When Hardware Becomes Software
4. Controller Cultures
5. There's an App for That
PART THREE: Software as Gradual Process
6. Worlds of Sound
7. Deep Listening
Conclusion: Invisible Futures
References
Index