Antoine Chrysostome Quatremère de Quincy (1755-1849) was the most important Neoclassical art historian in the generation after Johann Joachim Winckelmann (1717-1768). It is difficult now to appreciate his importance, due in part to the lack of translations of his 21 published books: three were rendered into English in the 19th century, and one in the 21st. The Moral Considerations has long been considered the most shattering polemic against public museums ever written. But I will show that Quatremère's polemic was aimed, not against museums per se, but rather against the imperialist and…mehr
Antoine Chrysostome Quatremère de Quincy (1755-1849) was the most important Neoclassical art historian in the generation after Johann Joachim Winckelmann (1717-1768). It is difficult now to appreciate his importance, due in part to the lack of translations of his 21 published books: three were rendered into English in the 19th century, and one in the 21st. The Moral Considerations has long been considered the most shattering polemic against public museums ever written. But I will show that Quatremère's polemic was aimed, not against museums per se, but rather against the imperialist and secularist curatorial purposes of Parisian museums in the age of Revolution. His Neoclassical commitments maintained the centrality of religion, and of incarnation, to any proper understanding of the place and purpose of the fine arts.
Louis A. Ruprecht Jr. is the William M. Suttles Professor of Religious Studies in the Department of Anthropology at Georgia State University.
Inhaltsangabe
Translator's Introduction The Text of Quatremère de Quincy's Moral Considerations on the Place and Purpose of Works of Art and Their Proper Use (1815) INTRODUCTION: MORAL CONSIDERATIONS On the Place and Purpose (Destination) of Works of Art FIRST PART: On the Purpose and Place (Destination) of the Arts (Arts) and of Works of Art (ouvrages d'Art), Considered in Terms of Their Influence on the Talent of Artists and the Good Taste (Goût) of Amateurs. SECOND PART: On the Place and Purpose (Destination) of Works of Art (Ouvrages d'Art), Considered as an Influence on the Effect of These Artworks (Ouvrages) and the Impressions One Receives From Them APPENDIX ONE: Translation of the Preface to Quatremère de Quincy Lettres sur l'Enlèvement des Ouvrages de l'art antique à Athènes et à Rome, Écrites les unes au Célébres Canova les autres au Général Miranda (Paris: Adrien le Clere et C.ie, Quai des Augustins, No. 35, 1836), Avant Propos, v-xvj APPENDIX TWO: The Major Published Works of Quatremère de Quincy, in Chronological Order APPENDIX THREE: Works by Quatremère de Quincy Translated into English, in Chronological Order
Translator's Introduction The Text of Quatremère de Quincy's Moral Considerations on the Place and Purpose of Works of Art and Their Proper Use (1815) INTRODUCTION: MORAL CONSIDERATIONS On the Place and Purpose (Destination) of Works of Art FIRST PART: On the Purpose and Place (Destination) of the Arts (Arts) and of Works of Art (ouvrages d'Art), Considered in Terms of Their Influence on the Talent of Artists and the Good Taste (Goût) of Amateurs. SECOND PART: On the Place and Purpose (Destination) of Works of Art (Ouvrages d'Art), Considered as an Influence on the Effect of These Artworks (Ouvrages) and the Impressions One Receives From Them APPENDIX ONE: Translation of the Preface to Quatremère de Quincy Lettres sur l'Enlèvement des Ouvrages de l'art antique à Athènes et à Rome, Écrites les unes au Célébres Canova les autres au Général Miranda (Paris: Adrien le Clere et C.ie, Quai des Augustins, No. 35, 1836), Avant Propos, v-xvj APPENDIX TWO: The Major Published Works of Quatremère de Quincy, in Chronological Order APPENDIX THREE: Works by Quatremère de Quincy Translated into English, in Chronological Order
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