Queer Cinema, the Film Reader brings together key writings that use queer theory to explore cinematic sexualities, especially those historically designated as gay, lesbian, bisexual and/or transgendered.
Queer Cinema, the Film Reader brings together key writings that use queer theory to explore cinematic sexualities, especially those historically designated as gay, lesbian, bisexual and/or transgendered.
Harry M. Benshoff is an Assistant Professor in Radio, Television and Film at the University of North Texas. He is the author of Monsters in the Closet: Homosexuality and the Horror Film (Manchester University Press, 1997) and co-author (with Sean Griffin) of America on Film: Representing Race, Class, Gender and Sexuality at the Movies (Blackwell Publishers, forthcoming, 2004) Dr. Sean Griffin is an Assistant Professor in the Division of Cinema-Television at Southern Methodist University. He is the author of Tinker Belles and Evil Queens: The Walt Disney Company from the Inside Out (NYU Press, 2000), and co-author (with Harry M. Benshoff) of America on Film: Representing Race, Class, Gender and Sexuality at the Movies (Blackwell Publishers, forthcoming, 2004).
Inhaltsangabe
Part One: Auters 1. Whose Text is it Anyway? Queer Cultures, Queer Auters, and Queer Authorship 2. Physique Cinema, 1945-1969: Hard to Imagine 3. Transgressive Cinema: Lesbian Independent Film 4. The New Queer Cinema, Part Two: Forms 5. The Monster and the Homosexual 6. Queer Negotiations of the Hollywood Musical 7. Queer Noir, Part Three: Camp 8. Camp and the Gay Sensibility 9. Reclaiming the Discourse of Camp, Part Four: Reception 10. Judy Garland and Gay Men 11. Finding Community in the Early 1960s: Underground Cinema and Sexual Politics 12. 'Out of the Closet and into the Universe': Queers and Star Trek 13. Reviewing Queer Viewing
Part One: Auters 1. Whose Text is it Anyway? Queer Cultures, Queer Auters, and Queer Authorship 2. Physique Cinema, 1945-1969: Hard to Imagine 3. Transgressive Cinema: Lesbian Independent Film 4. The New Queer Cinema, Part Two: Forms 5. The Monster and the Homosexual 6. Queer Negotiations of the Hollywood Musical 7. Queer Noir, Part Three: Camp 8. Camp and the Gay Sensibility 9. Reclaiming the Discourse of Camp, Part Four: Reception 10. Judy Garland and Gay Men 11. Finding Community in the Early 1960s: Underground Cinema and Sexual Politics 12. 'Out of the Closet and into the Universe': Queers and Star Trek 13. Reviewing Queer Viewing
Part One: Auters 1. Whose Text is it Anyway? Queer Cultures, Queer Auters, and Queer Authorship 2. Physique Cinema, 1945-1969: Hard to Imagine 3. Transgressive Cinema: Lesbian Independent Film 4. The New Queer Cinema, Part Two: Forms 5. The Monster and the Homosexual 6. Queer Negotiations of the Hollywood Musical 7. Queer Noir, Part Three: Camp 8. Camp and the Gay Sensibility 9. Reclaiming the Discourse of Camp, Part Four: Reception 10. Judy Garland and Gay Men 11. Finding Community in the Early 1960s: Underground Cinema and Sexual Politics 12. 'Out of the Closet and into the Universe': Queers and Star Trek 13. Reviewing Queer Viewing
Part One: Auters 1. Whose Text is it Anyway? Queer Cultures, Queer Auters, and Queer Authorship 2. Physique Cinema, 1945-1969: Hard to Imagine 3. Transgressive Cinema: Lesbian Independent Film 4. The New Queer Cinema, Part Two: Forms 5. The Monster and the Homosexual 6. Queer Negotiations of the Hollywood Musical 7. Queer Noir, Part Three: Camp 8. Camp and the Gay Sensibility 9. Reclaiming the Discourse of Camp, Part Four: Reception 10. Judy Garland and Gay Men 11. Finding Community in the Early 1960s: Underground Cinema and Sexual Politics 12. 'Out of the Closet and into the Universe': Queers and Star Trek 13. Reviewing Queer Viewing
Rezensionen
'Four Stars ... there is much to appreciate here' - Film Review
'Four Stars ... there is much to appreciate here' - Film Review
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