This new drag discourse not only allows for more complete and accurate descriptions of drag acts, but it facilitates more ethical discussions about the bodies, identities, and products of drag performers.
This new drag discourse not only allows for more complete and accurate descriptions of drag acts, but it facilitates more ethical discussions about the bodies, identities, and products of drag performers.
Meredith Heller is Lecturer of Queer Studies in Women's and Gender Studies at Northern Arizona University.
Inhaltsangabe
Acknowledgments Preface 1. What's in a Name? Redefining the Discourse of Gender-Bending 2. "Masculine Women, Feminine Men": Variety and Vaudevillian Male Impersonators 3. Mythical, "Sexless" Characters: Identity Borders in El Teatro Campesino 4. The "First Punch" at Stonewall: Counteridentification Butch Acts 5. Bent Means "Not Quite Straight": Kinging as Disidentification Conclusion: Bending Rhetoric Bibliography Index
Acknowledgments Preface 1. What's in a Name? Redefining the Discourse of Gender-Bending 2. "Masculine Women, Feminine Men": Variety and Vaudevillian Male Impersonators 3. Mythical, "Sexless" Characters: Identity Borders in El Teatro Campesino 4. The "First Punch" at Stonewall: Counteridentification Butch Acts 5. Bent Means "Not Quite Straight": Kinging as Disidentification Conclusion: Bending Rhetoric Bibliography Index
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