The first large-scale effort to queer musical fieldwork and expose new horizons of ethnomusicological scholarship, Queering the Field addresses ethnomusicology's normalized approaches to musical ethnography and investigates the sexual identities and modes of identification at play in the field.
The first large-scale effort to queer musical fieldwork and expose new horizons of ethnomusicological scholarship, Queering the Field addresses ethnomusicology's normalized approaches to musical ethnography and investigates the sexual identities and modes of identification at play in the field.
Gregory Barz is Director of the School of Music at Boston University where he is professor of ethnomusicology. He serves as the president of the Society for Ethnomusicology and currently conducts field research on drag culture in Israel. William Cheng is an Associate Professor of Music at Dartmouth College. He teaches courses in history, media, ethics, disability, race, and digital games. Working at the crossroads of critical inquiry and public engagement, he advocates for interpersonal care as they heart of academic and activist labors. He is a founding co-editor of the new Music & Social Justice series published by University of Michigan Press.
Inhaltsangabe
* Dedication * About the Authors * Acknowledgements * 1. Foreword * 2. Introduction * "Queering the Field: An Introduction" * 3. Framing Essay * "Sounding Out: Theoretical Reflection on Queer Fieldnotes and Performance" * 4. Queer Silences * "Uncomfortable Positions: Listening and Expertise in Queer Postcolonial Ethnomusicology" * "Queer in the Field? What Happens When Neither 'Queer' Nor 'The Field' is Clearly Defined?" * 5. Out/In the Field * "'I Don't Think We Are Safe Around You': Queering Fieldwork in Ethnomusicology" * "Outing the Methodological No-No: Translating Queer Space to Field Space" * "Queerness, Ambiguity, Ethnography" * "Understanding the Gay Ambiente in Cuba: Queer Fieldwork in a Queer Field" * 6. Queerness in Action * "Her Tall, Slender Frame: (Con)Figuring Hijra Music and Dance Through Documentary Filmmaking" * "Queer Hip Hop or Hip-Hop Queerness? Toward a Queer of Color Music Studies" * "Going Through the Motions: Transgender Performance in Topeng Cirebon from North Java, Indonesia" * "The Unbearable Bearing of Tradition, or, A Fable of Belonging" * 7. Institutions and Intersections * "The Lion, The Witch, and the Closet: Heteronormative Institutional Research and Performance Practices, and the Queering of 'Traditions'" * "'I'm not Gay, I'm Black': Exploring the Assumptions and Limitations that Underlie the Normative Queer Gaze in a Panamanian Dance-Drama" * 8. Who's Queer (W)Here? * "Self and/as Subject: Respectability, Abjection, and the Alterity of Studying What You Are" * "Straight to the Heart: Heteronormativity, Flirtation, and Autoethnography at Home and Away" * "I, Spy: Silence, Violence, and the Ethics of Virtual Ethnography" * 9. Clubs, Bars, Scenes * "The Queer Concerns of Nightlife Fieldwork" * "'Eat the Other': Ethnography, Power, and Desire" * "Men Created Homophobia, God Created Transformistas: Saluting the Oríshás in a Cuban Gay Bar" * "On Serendipity: Sonic Pleasures and Fleshy Archives of Sensual Ethnography" * Works Cited * Index
* Dedication * About the Authors * Acknowledgements * 1. Foreword * 2. Introduction * "Queering the Field: An Introduction" * 3. Framing Essay * "Sounding Out: Theoretical Reflection on Queer Fieldnotes and Performance" * 4. Queer Silences * "Uncomfortable Positions: Listening and Expertise in Queer Postcolonial Ethnomusicology" * "Queer in the Field? What Happens When Neither 'Queer' Nor 'The Field' is Clearly Defined?" * 5. Out/In the Field * "'I Don't Think We Are Safe Around You': Queering Fieldwork in Ethnomusicology" * "Outing the Methodological No-No: Translating Queer Space to Field Space" * "Queerness, Ambiguity, Ethnography" * "Understanding the Gay Ambiente in Cuba: Queer Fieldwork in a Queer Field" * 6. Queerness in Action * "Her Tall, Slender Frame: (Con)Figuring Hijra Music and Dance Through Documentary Filmmaking" * "Queer Hip Hop or Hip-Hop Queerness? Toward a Queer of Color Music Studies" * "Going Through the Motions: Transgender Performance in Topeng Cirebon from North Java, Indonesia" * "The Unbearable Bearing of Tradition, or, A Fable of Belonging" * 7. Institutions and Intersections * "The Lion, The Witch, and the Closet: Heteronormative Institutional Research and Performance Practices, and the Queering of 'Traditions'" * "'I'm not Gay, I'm Black': Exploring the Assumptions and Limitations that Underlie the Normative Queer Gaze in a Panamanian Dance-Drama" * 8. Who's Queer (W)Here? * "Self and/as Subject: Respectability, Abjection, and the Alterity of Studying What You Are" * "Straight to the Heart: Heteronormativity, Flirtation, and Autoethnography at Home and Away" * "I, Spy: Silence, Violence, and the Ethics of Virtual Ethnography" * 9. Clubs, Bars, Scenes * "The Queer Concerns of Nightlife Fieldwork" * "'Eat the Other': Ethnography, Power, and Desire" * "Men Created Homophobia, God Created Transformistas: Saluting the Oríshás in a Cuban Gay Bar" * "On Serendipity: Sonic Pleasures and Fleshy Archives of Sensual Ethnography" * Works Cited * Index
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