George Levine
Question of the Aesthetic
George Levine
Question of the Aesthetic
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A multi-authored volume of original essays by scholars in literary studies and philosophy on the question of the aesthetic in the current critical climate.
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A multi-authored volume of original essays by scholars in literary studies and philosophy on the question of the aesthetic in the current critical climate.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 298
- Erscheinungstermin: 14. Oktober 2022
- Englisch
- Abmessung: 226mm x 165mm x 28mm
- Gewicht: 590g
- ISBN-13: 9780192844859
- ISBN-10: 0192844857
- Artikelnr.: 66149434
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Oxford University Press
- Seitenzahl: 298
- Erscheinungstermin: 14. Oktober 2022
- Englisch
- Abmessung: 226mm x 165mm x 28mm
- Gewicht: 590g
- ISBN-13: 9780192844859
- ISBN-10: 0192844857
- Artikelnr.: 66149434
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
George Levine is Emeritus Professor at Rutgers University. His work has focused on Victorian fiction, George Eliot, and Darwin and his relation to the novel and, more recently, on the relation of science to literature and aesthetics, and secularism.
* Introduction
* PART 1
* 1: Derek Attridge: The Experience of Art
* 2: Richard Prum: The Ontology of Artworlds: A Posthuman,
Coevolutionary Framework for Aesthetics, Art History, and Art
Criticism
* PART 2
* 3: Jonah Siegel: Beauty and her Sisters in the Nineteenth Century and
After
* 4: Herbert Tucker: Gates of Horn in Ivory Towers: On Beauty's Truth
* PART 3
* 5: Isobel Armstrong: What we do: The New this and the New That
* 6: Josephine McDonagh: Is the Migrant a Metaphor? On Representation
of Migration in Contemporary Art, Film, and Literature
* 7: Edgar Garcia: Aesthetic Poison
* 8: Ankhi Mukherjee: Aesthetic Criticism and the Post-Colonial
* PART 4
* 9: Myra Jehlen: On the Last Paragraph of the 1859 Edition of Darwin's
Origin of Species
* 10: Philip Davis: Wild Aesthetics: D.H. Lawrence's 'Art for My Sake'
* 11: Richard Eldridge: 'whose eye darted contagious fire': Aesthetic
Form, Performative Action, and Paradise Lost
* 12: Susan J. Wolfson: Tennyson's Tears and Brooks's Motivations
* PART 5
* 13: Helen Small: Do Birds Disagree?: The Place of Aesthetic Value in
Advocacy for the Humanities
* PART 1
* 1: Derek Attridge: The Experience of Art
* 2: Richard Prum: The Ontology of Artworlds: A Posthuman,
Coevolutionary Framework for Aesthetics, Art History, and Art
Criticism
* PART 2
* 3: Jonah Siegel: Beauty and her Sisters in the Nineteenth Century and
After
* 4: Herbert Tucker: Gates of Horn in Ivory Towers: On Beauty's Truth
* PART 3
* 5: Isobel Armstrong: What we do: The New this and the New That
* 6: Josephine McDonagh: Is the Migrant a Metaphor? On Representation
of Migration in Contemporary Art, Film, and Literature
* 7: Edgar Garcia: Aesthetic Poison
* 8: Ankhi Mukherjee: Aesthetic Criticism and the Post-Colonial
* PART 4
* 9: Myra Jehlen: On the Last Paragraph of the 1859 Edition of Darwin's
Origin of Species
* 10: Philip Davis: Wild Aesthetics: D.H. Lawrence's 'Art for My Sake'
* 11: Richard Eldridge: 'whose eye darted contagious fire': Aesthetic
Form, Performative Action, and Paradise Lost
* 12: Susan J. Wolfson: Tennyson's Tears and Brooks's Motivations
* PART 5
* 13: Helen Small: Do Birds Disagree?: The Place of Aesthetic Value in
Advocacy for the Humanities
* Introduction
* PART 1
* 1: Derek Attridge: The Experience of Art
* 2: Richard Prum: The Ontology of Artworlds: A Posthuman,
Coevolutionary Framework for Aesthetics, Art History, and Art
Criticism
* PART 2
* 3: Jonah Siegel: Beauty and her Sisters in the Nineteenth Century and
After
* 4: Herbert Tucker: Gates of Horn in Ivory Towers: On Beauty's Truth
* PART 3
* 5: Isobel Armstrong: What we do: The New this and the New That
* 6: Josephine McDonagh: Is the Migrant a Metaphor? On Representation
of Migration in Contemporary Art, Film, and Literature
* 7: Edgar Garcia: Aesthetic Poison
* 8: Ankhi Mukherjee: Aesthetic Criticism and the Post-Colonial
* PART 4
* 9: Myra Jehlen: On the Last Paragraph of the 1859 Edition of Darwin's
Origin of Species
* 10: Philip Davis: Wild Aesthetics: D.H. Lawrence's 'Art for My Sake'
* 11: Richard Eldridge: 'whose eye darted contagious fire': Aesthetic
Form, Performative Action, and Paradise Lost
* 12: Susan J. Wolfson: Tennyson's Tears and Brooks's Motivations
* PART 5
* 13: Helen Small: Do Birds Disagree?: The Place of Aesthetic Value in
Advocacy for the Humanities
* PART 1
* 1: Derek Attridge: The Experience of Art
* 2: Richard Prum: The Ontology of Artworlds: A Posthuman,
Coevolutionary Framework for Aesthetics, Art History, and Art
Criticism
* PART 2
* 3: Jonah Siegel: Beauty and her Sisters in the Nineteenth Century and
After
* 4: Herbert Tucker: Gates of Horn in Ivory Towers: On Beauty's Truth
* PART 3
* 5: Isobel Armstrong: What we do: The New this and the New That
* 6: Josephine McDonagh: Is the Migrant a Metaphor? On Representation
of Migration in Contemporary Art, Film, and Literature
* 7: Edgar Garcia: Aesthetic Poison
* 8: Ankhi Mukherjee: Aesthetic Criticism and the Post-Colonial
* PART 4
* 9: Myra Jehlen: On the Last Paragraph of the 1859 Edition of Darwin's
Origin of Species
* 10: Philip Davis: Wild Aesthetics: D.H. Lawrence's 'Art for My Sake'
* 11: Richard Eldridge: 'whose eye darted contagious fire': Aesthetic
Form, Performative Action, and Paradise Lost
* 12: Susan J. Wolfson: Tennyson's Tears and Brooks's Motivations
* PART 5
* 13: Helen Small: Do Birds Disagree?: The Place of Aesthetic Value in
Advocacy for the Humanities







