Quixotic Frescoes delves into the politics of imitation, self-censorship, religious ideology expressed through the pictorial, as well as the gendering of art as reflected in Cervantes' work.
Quixotic Frescoes delves into the politics of imitation, self-censorship, religious ideology expressed through the pictorial, as well as the gendering of art as reflected in Cervantes' work.
Frederick A. de Armas is Robert O. Anderson Distinguished Service Professor at the University of Chicago..
Inhaltsangabe
List of Illustrations Preface The Exhilaration of Italy A Museum of Memorie: From Numancia to La Galatea At School with the Ancients: Raphael The Fourfold Way: Raphael Textual Terribillitá: Michelangelo The Merchants of Trebizond: Luca Cambiaso Drawing Decorum: Titian Dancing with Giants: Philostratus A Mannerist Theophany/A Cruel Teichoskopia: Pontormo and Parigianino Dulcinea and the Five Maidens: Zeuxis Love's Architecture: Guilio Romano The Last Enchantment: Epilogue Notes Works Cited Index 2
List of Illustrations Preface The Exhilaration of Italy A Museum of Memorie: From Numancia to La Galatea At School with the Ancients: Raphael The Fourfold Way: Raphael Textual Terribillitá: Michelangelo The Merchants of Trebizond: Luca Cambiaso Drawing Decorum: Titian Dancing with Giants: Philostratus A Mannerist Theophany/A Cruel Teichoskopia: Pontormo and Parigianino Dulcinea and the Five Maidens: Zeuxis Love's Architecture: Guilio Romano The Last Enchantment: Epilogue Notes Works Cited Index 2
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