Rancière and Performance
Herausgeber: Fryer, Nic; Conroy, Colette
Rancière and Performance
Herausgeber: Fryer, Nic; Conroy, Colette
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This is the first collection on Rancière, a key thinker of political philosophy and aesthetics, which deals explicitly with the implications of his thought on theatre and performance studies.
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This is the first collection on Rancière, a key thinker of political philosophy and aesthetics, which deals explicitly with the implications of his thought on theatre and performance studies.
Produktdetails
- Produktdetails
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 256
- Erscheinungstermin: 24. Januar 2023
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 421g
- ISBN-13: 9781538148419
- ISBN-10: 1538148412
- Artikelnr.: 67218942
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 256
- Erscheinungstermin: 24. Januar 2023
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 421g
- ISBN-13: 9781538148419
- ISBN-10: 1538148412
- Artikelnr.: 67218942
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Colette Conroy is director of the Institute of Arts, University of Cumbria, UK. Nic Fryer is senior lecturer and course leader of the MA in performing arts at Bucks New University and a director.
Introduction
NIC FRYER - Rancière's Theatrocracy Within and Beyond the Theatre
Section 1: Aesthetics and Politics, Politics and Aesthetics
1. RYAN ANTHONY HATCH - The Politics of Aesthetics, in a State of
Disruption
2. LIESBETH GROOT NIBBELINK - Soft Shivers, Sweaty Politics: Dramaturgy and
the Pensive Body
Section 2: The Role of Theatre and Performance
3. SHULAMITH LEV-ALADGEM - Performing Philosophy: Rancière as Playwright,
Director and Performer in The Ignorant Schoolmaster
4. ADRIAN KEAR - Staging the People: Performance, Presence and
Representation
5. NIC FRYER - 'Apart, we are together. Together, we are apart': Rancière's
Community of Translators in Theory and Theatre
Section 3: Spectatorship and Participation
6. JENNY HUGHES - Nights of Theatrical Labour in the Victorian Workhouse
7. WILL SHÜLER - The Emancipated Educator: Chance, Will, and Equality in
Higher Education Role-Immersion Pedagogies
Section 4: Performance as Political Disruption
8. JANELLE REINELT - Resisting Rancière
9. CAOIMHE MADER McGUINNESS - Dissensual Reproductions in You Should See
the Other Guy's Land of the Three Towers
10. STEPHEN SCOTT-BOTTOMS - The Paradoxes of Performing Activism: Art, Oil
and Liberate Tate
NIC FRYER - Rancière's Theatrocracy Within and Beyond the Theatre
Section 1: Aesthetics and Politics, Politics and Aesthetics
1. RYAN ANTHONY HATCH - The Politics of Aesthetics, in a State of
Disruption
2. LIESBETH GROOT NIBBELINK - Soft Shivers, Sweaty Politics: Dramaturgy and
the Pensive Body
Section 2: The Role of Theatre and Performance
3. SHULAMITH LEV-ALADGEM - Performing Philosophy: Rancière as Playwright,
Director and Performer in The Ignorant Schoolmaster
4. ADRIAN KEAR - Staging the People: Performance, Presence and
Representation
5. NIC FRYER - 'Apart, we are together. Together, we are apart': Rancière's
Community of Translators in Theory and Theatre
Section 3: Spectatorship and Participation
6. JENNY HUGHES - Nights of Theatrical Labour in the Victorian Workhouse
7. WILL SHÜLER - The Emancipated Educator: Chance, Will, and Equality in
Higher Education Role-Immersion Pedagogies
Section 4: Performance as Political Disruption
8. JANELLE REINELT - Resisting Rancière
9. CAOIMHE MADER McGUINNESS - Dissensual Reproductions in You Should See
the Other Guy's Land of the Three Towers
10. STEPHEN SCOTT-BOTTOMS - The Paradoxes of Performing Activism: Art, Oil
and Liberate Tate
Introduction
NIC FRYER - Rancière's Theatrocracy Within and Beyond the Theatre
Section 1: Aesthetics and Politics, Politics and Aesthetics
1. RYAN ANTHONY HATCH - The Politics of Aesthetics, in a State of
Disruption
2. LIESBETH GROOT NIBBELINK - Soft Shivers, Sweaty Politics: Dramaturgy and
the Pensive Body
Section 2: The Role of Theatre and Performance
3. SHULAMITH LEV-ALADGEM - Performing Philosophy: Rancière as Playwright,
Director and Performer in The Ignorant Schoolmaster
4. ADRIAN KEAR - Staging the People: Performance, Presence and
Representation
5. NIC FRYER - 'Apart, we are together. Together, we are apart': Rancière's
Community of Translators in Theory and Theatre
Section 3: Spectatorship and Participation
6. JENNY HUGHES - Nights of Theatrical Labour in the Victorian Workhouse
7. WILL SHÜLER - The Emancipated Educator: Chance, Will, and Equality in
Higher Education Role-Immersion Pedagogies
Section 4: Performance as Political Disruption
8. JANELLE REINELT - Resisting Rancière
9. CAOIMHE MADER McGUINNESS - Dissensual Reproductions in You Should See
the Other Guy's Land of the Three Towers
10. STEPHEN SCOTT-BOTTOMS - The Paradoxes of Performing Activism: Art, Oil
and Liberate Tate
NIC FRYER - Rancière's Theatrocracy Within and Beyond the Theatre
Section 1: Aesthetics and Politics, Politics and Aesthetics
1. RYAN ANTHONY HATCH - The Politics of Aesthetics, in a State of
Disruption
2. LIESBETH GROOT NIBBELINK - Soft Shivers, Sweaty Politics: Dramaturgy and
the Pensive Body
Section 2: The Role of Theatre and Performance
3. SHULAMITH LEV-ALADGEM - Performing Philosophy: Rancière as Playwright,
Director and Performer in The Ignorant Schoolmaster
4. ADRIAN KEAR - Staging the People: Performance, Presence and
Representation
5. NIC FRYER - 'Apart, we are together. Together, we are apart': Rancière's
Community of Translators in Theory and Theatre
Section 3: Spectatorship and Participation
6. JENNY HUGHES - Nights of Theatrical Labour in the Victorian Workhouse
7. WILL SHÜLER - The Emancipated Educator: Chance, Will, and Equality in
Higher Education Role-Immersion Pedagogies
Section 4: Performance as Political Disruption
8. JANELLE REINELT - Resisting Rancière
9. CAOIMHE MADER McGUINNESS - Dissensual Reproductions in You Should See
the Other Guy's Land of the Three Towers
10. STEPHEN SCOTT-BOTTOMS - The Paradoxes of Performing Activism: Art, Oil
and Liberate Tate







