The book is the first collection of essays on Graham Swift's work. As a collaborative effort of scholars from several countries, it looks at his fiction from different interpretative angles, combining a variety of critical and theoretical approaches.
The book is the first collection of essays on Graham Swift's work. As a collaborative effort of scholars from several countries, it looks at his fiction from different interpretative angles, combining a variety of critical and theoretical approaches.
Edited by Tomasz Dobrogoszcz and Marta Goszczynska - Contributions by Donald Kaczvinsky; Slawomir Konkol; Bozena Kucala; Anastasia Logotheti; David Malcolm; Katarzyna Ostalska; Catherine Pesso-Miquel; Adam Sumera; Philip Tew and Katarzyna Wieckowska
Inhaltsangabe
Introduction Tomasz Dobrogoszcz and Marta Goszczy ska Part 1: Beginnings and Continuities Chapter 1: Trauma and Confliction in The Sweet-Shop Owner and Waterland Philip Tew Chapter 2: Reticent Detecting: The Evolution of Swift's (Un)Confessing Narrators Anastasia Logotheti Chapter 3: Masculinity as Failure: Male Characters in Learning to Swim and England and Other Stories Katarzyna Ostalska Part 2: Progressions and Evolutions Chapter 4: Nostalgia, Sentiments, and Men in Out of This World Katarzyna Wi ckowska Chapter 5: The Father Delusion in Ever After Tomasz Dobrogoszcz Chapter 6: Filming the Unfilmable: Last Orders on Screen Adam Sumera Chapter 7: Re-Joycing Tomorrow: Graham Swift, Artificial Insemination, and the Question of Literary Paternity Donald Kaczvinsky Part 3: Recent Developments Chapter 8: Forget 'Green English Fields': War(s) in Wish You Were Here Catherine Pesso-Miquel Chapter 9: Spectres of Silence in Wish You Were Here S awomir Konkol Chapter 10: The England in England and Other Stories David Malcolm Chapter 11: Lost for Words: Narration, Language and Communication in England and Other Stories Marta Goszczy ska Chapter 12: 'So How Did You Become a Writer?': Metafictional Concerns in Mothering Sunday Böena Kucäa
Introduction Tomasz Dobrogoszcz and Marta Goszczy ska Part 1: Beginnings and Continuities Chapter 1: Trauma and Confliction in The Sweet-Shop Owner and Waterland Philip Tew Chapter 2: Reticent Detecting: The Evolution of Swift's (Un)Confessing Narrators Anastasia Logotheti Chapter 3: Masculinity as Failure: Male Characters in Learning to Swim and England and Other Stories Katarzyna Ostalska Part 2: Progressions and Evolutions Chapter 4: Nostalgia, Sentiments, and Men in Out of This World Katarzyna Wi ckowska Chapter 5: The Father Delusion in Ever After Tomasz Dobrogoszcz Chapter 6: Filming the Unfilmable: Last Orders on Screen Adam Sumera Chapter 7: Re-Joycing Tomorrow: Graham Swift, Artificial Insemination, and the Question of Literary Paternity Donald Kaczvinsky Part 3: Recent Developments Chapter 8: Forget 'Green English Fields': War(s) in Wish You Were Here Catherine Pesso-Miquel Chapter 9: Spectres of Silence in Wish You Were Here S awomir Konkol Chapter 10: The England in England and Other Stories David Malcolm Chapter 11: Lost for Words: Narration, Language and Communication in England and Other Stories Marta Goszczy ska Chapter 12: 'So How Did You Become a Writer?': Metafictional Concerns in Mothering Sunday Böena Kucäa
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