In this volume, Joseph Coulombe argues that Native American writers use diverse narrative strategies to engage with readers and are 'writing for connection' with both Native and non-Native audiences.
In this volume, Joseph Coulombe argues that Native American writers use diverse narrative strategies to engage with readers and are 'writing for connection' with both Native and non-Native audiences.
Introduction - Native American Literary Outreach and the Non-Native Reader 1. Following the Tracks: History and Context of Native Writing 2. Nothing but Words: From Confrontation to Connection in N. Scott Momaday's House Made of Dawn 3. Revitalizing the Original Clan: Participant Readers in Leslie Marmon Silko's Ceremony 4. Individualism vs. Separation: Imagining the Self to Foster Unity via Gerald Vizenor's Bearheart 5. Writing for Connection: Cross-Cultural Understanding in James Welch's Historical Fiction 6. The Approximate Size of His Favorite Humor: Sherman Alexie's Comic Connections and Disconnections in The Lone Ranger and Tonto Fistfight in Heaven 7. Stitching the Gap: Believing vs. Knowing in Linda Hogan's Power Works Cited
Introduction - Native American Literary Outreach and the Non-Native Reader 1. Following the Tracks: History and Context of Native Writing 2. Nothing but Words: From Confrontation to Connection in N. Scott Momaday's House Made of Dawn 3. Revitalizing the Original Clan: Participant Readers in Leslie Marmon Silko's Ceremony 4. Individualism vs. Separation: Imagining the Self to Foster Unity via Gerald Vizenor's Bearheart 5. Writing for Connection: Cross-Cultural Understanding in James Welch's Historical Fiction 6. The Approximate Size of His Favorite Humor: Sherman Alexie's Comic Connections and Disconnections in The Lone Ranger andTonto Fistfight in Heaven 7. Stitching the Gap: Believing vs. Knowing in Linda Hogan's Power Works Cited
Introduction - Native American Literary Outreach and the Non-Native Reader 1. Following the Tracks: History and Context of Native Writing 2. Nothing but Words: From Confrontation to Connection in N. Scott Momaday's House Made of Dawn 3. Revitalizing the Original Clan: Participant Readers in Leslie Marmon Silko's Ceremony 4. Individualism vs. Separation: Imagining the Self to Foster Unity via Gerald Vizenor's Bearheart 5. Writing for Connection: Cross-Cultural Understanding in James Welch's Historical Fiction 6. The Approximate Size of His Favorite Humor: Sherman Alexie's Comic Connections and Disconnections in The Lone Ranger and Tonto Fistfight in Heaven 7. Stitching the Gap: Believing vs. Knowing in Linda Hogan's Power Works Cited
Introduction - Native American Literary Outreach and the Non-Native Reader 1. Following the Tracks: History and Context of Native Writing 2. Nothing but Words: From Confrontation to Connection in N. Scott Momaday's House Made of Dawn 3. Revitalizing the Original Clan: Participant Readers in Leslie Marmon Silko's Ceremony 4. Individualism vs. Separation: Imagining the Self to Foster Unity via Gerald Vizenor's Bearheart 5. Writing for Connection: Cross-Cultural Understanding in James Welch's Historical Fiction 6. The Approximate Size of His Favorite Humor: Sherman Alexie's Comic Connections and Disconnections in The Lone Ranger andTonto Fistfight in Heaven 7. Stitching the Gap: Believing vs. Knowing in Linda Hogan's Power Works Cited
Rezensionen
"Coulombe speaks about his subject engagingly, refreshingly, and with joy. Every page supplies evidence of Coulombe's arguments, and a rich bibliography and deep index will serve readers well. Highly recommended." -CHOICE
"Coulombe speaks about his subject engagingly, refreshingly, and with joy. Every page supplies evidence of Coulombe's arguments, and a rich bibliography and deep index will serve readers well. Highly recommended." - CHOICE
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