Eliot's career was influenced by concrete historical and biographical circumstances who played a decisive role as his muse, guide, and mentor in his newfound passion for the stage. Reading T. S. Eliot: The Rose Garden and After (1930s-1950s) presents original work by numerous scholars addressing these facets of Eliot's writing.
Eliot's career was influenced by concrete historical and biographical circumstances who played a decisive role as his muse, guide, and mentor in his newfound passion for the stage. Reading T. S. Eliot: The Rose Garden and After (1930s-1950s) presents original work by numerous scholars addressing these facets of Eliot's writing.
Dídac Llorens-Cubedo is Associate Professor of English at the Universidad Nacional de Educación a Distancia (UNED, Spain). He has published T. S. Eliot and Salvador Espriu: Converging Poetic Imaginations (2013) and co-edited New Literatures of Old: Dialogues of Tradition and Innovation in Anglophone Literatures (2008) and T. S. Eliot. Teatro Completo (2022). Viorica Patea is Professor of English Literature at the University of Salamanca. She has published books on Sylvia Plath, Ezra Pound, and T.S. Eliot. Her edited books include Short Story Theories (2012), Modernism Revisited (2007) with Paul Scott Derrick, and Ezra Pound & the Spanish World (2024) with John Gery.
Inhaltsangabe
Introduction: 'Through the First Gate,' into the Rose Garden and Beyond Dídac Llorens-Cubedo and Viorica Patea, Part I The Poet, the Rose Garden, and the Playhouse (1930s) Poetics of the Incarnation: T. S. Eliot's Four Quartets Barry Spurr Experiencing Murder in the Cathedral: How Can 'Indicative Criticism' Position Audiences to Appreciate the Play Charles Altieri 'That moment of mystery': Eliot's Practical Cats as a Turning Point Ester Díaz Morillo To Speak Poetry: Eliot's Project to Revive Verse Drama Natalia Carbajosa Palmero Sara Fitzgerald Part II Full-Time Dramatist with a Vision (late 1930s-late 1950s) T. S. Eliot and Classical Drama Peter Liebregts Eliot, Aeschylus, and Aristotle: Theme and Plot in The Family Reunion Jewel Spears Brooker Protean Self and Anagnorisis through Art in T. S. Eliot's The Confidential Clerk Leonor María Martínez Serrano 'Proper Sowing' and 'right action' in Eliot's Plays and Four Quartets Viorica Patea After Four Quartets: T. S. Eliot's Comedies as Footnotes or Exempla Dídac Llorens-Cubedo Part III Critic with a Wider Scope (1940s-1960s) To Criticize the Dramatist: Eliot on His Plays Teresa Gibert The Responsibility of a Christian Thinker: T. S. Eliot, World War 2, and Post War Reconstruction Joana Rzepa Patristic Christianity in T. S. Eliot's Philosophy of Education John Rhett Forman Christopher Dawson and Eliot on Culture and Politics Benjamin Lockerd
Introduction: 'Through the First Gate,' into the Rose Garden and Beyond Dídac Llorens-Cubedo and Viorica Patea, Part I The Poet, the Rose Garden, and the Playhouse (1930s) Poetics of the Incarnation: T. S. Eliot's Four Quartets Barry Spurr Experiencing Murder in the Cathedral: How Can 'Indicative Criticism' Position Audiences to Appreciate the Play Charles Altieri 'That moment of mystery': Eliot's Practical Cats as a Turning Point Ester Díaz Morillo To Speak Poetry: Eliot's Project to Revive Verse Drama Natalia Carbajosa Palmero Sara Fitzgerald Part II Full-Time Dramatist with a Vision (late 1930s-late 1950s) T. S. Eliot and Classical Drama Peter Liebregts Eliot, Aeschylus, and Aristotle: Theme and Plot in The Family Reunion Jewel Spears Brooker Protean Self and Anagnorisis through Art in T. S. Eliot's The Confidential Clerk Leonor María Martínez Serrano 'Proper Sowing' and 'right action' in Eliot's Plays and Four Quartets Viorica Patea After Four Quartets: T. S. Eliot's Comedies as Footnotes or Exempla Dídac Llorens-Cubedo Part III Critic with a Wider Scope (1940s-1960s) To Criticize the Dramatist: Eliot on His Plays Teresa Gibert The Responsibility of a Christian Thinker: T. S. Eliot, World War 2, and Post War Reconstruction Joana Rzepa Patristic Christianity in T. S. Eliot's Philosophy of Education John Rhett Forman Christopher Dawson and Eliot on Culture and Politics Benjamin Lockerd
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