This collection offers students a practical guide to understanding the ways music and literature intersect and the influence of each on the other, as well as developing methods of study.
This collection offers students a practical guide to understanding the ways music and literature intersect and the influence of each on the other, as well as developing methods of study.
Introduction: A Guide to this Book Phyllis Weliver and Katharine Ellis 1. Vernon Lee's "A Wicked Voice" (1890): Music and Queerness in Decadent Fiction Fraser Riddell 2. Conjuring Folk Music: George Sand's The Master Pipers (1853) Katharine Ellis 3. Bands of Mercy Music: A Cultural Study of Victorian Animal Welfare Songs for Children Alisa Clapp Itnyre 4. The Music of the Women's Suffrage Movement Christopher Wiley 5. Song and the Political Body: William Morris Elizabeth Helsinger 6. Understanding Colonial Mission Hymns and Hybridity Philip Burnett 7. Representing Non Western Music: Robert Louis Stevenson in Kiribati Emma Sutton 8. Musical Encounters at the Louisiana Lakeside in Charles Jobey's "Le lac Cathahoula" (1856/1861) Charlotte Bentley 9 Critical Dislocations: Champfleury's Richard Wagner (1860) Jeremy Coleman 10. Locating Elgar: Nationalism, Landscape and Musical Biography Daniel M. Grimley 11. Musical Ekphrasis and Intermedial Form in Walter Pater's "Duke Carl of Rosenmold" (1887) Elicia Clements 12. Women, Music and Tennyson's The Princess (1850 edn) Phyllis Weliver 13. Reading Whitman, Hearing Vaughan Williams: Sexuality, National Politics and the Role of the Artist in Society Sarah Collins Coda Shafquat Towheed Index
Introduction: A Guide to this Book Phyllis Weliver and Katharine Ellis 1. Vernon Lee's "A Wicked Voice" (1890): Music and Queerness in Decadent Fiction Fraser Riddell 2. Conjuring Folk Music: George Sand's The Master Pipers (1853) Katharine Ellis 3. Bands of Mercy Music: A Cultural Study of Victorian Animal Welfare Songs for Children Alisa Clapp Itnyre 4. The Music of the Women's Suffrage Movement Christopher Wiley 5. Song and the Political Body: William Morris Elizabeth Helsinger 6. Understanding Colonial Mission Hymns and Hybridity Philip Burnett 7. Representing Non Western Music: Robert Louis Stevenson in Kiribati Emma Sutton 8. Musical Encounters at the Louisiana Lakeside in Charles Jobey's "Le lac Cathahoula" (1856/1861) Charlotte Bentley 9 Critical Dislocations: Champfleury's Richard Wagner (1860) Jeremy Coleman 10. Locating Elgar: Nationalism, Landscape and Musical Biography Daniel M. Grimley 11. Musical Ekphrasis and Intermedial Form in Walter Pater's "Duke Carl of Rosenmold" (1887) Elicia Clements 12. Women, Music and Tennyson's The Princess (1850 edn) Phyllis Weliver 13. Reading Whitman, Hearing Vaughan Williams: Sexuality, National Politics and the Role of the Artist in Society Sarah Collins Coda Shafquat Towheed Index
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