The opening of classified documents from the Soviet era has been dubbed the ""archival revolution"" due to its unprecedented scale, drama, and impact. With a storyteller's sensibility, Cristina Vatulescu identifies and takes on the main challenges of reading in these archives.
The opening of classified documents from the Soviet era has been dubbed the ""archival revolution"" due to its unprecedented scale, drama, and impact. With a storyteller's sensibility, Cristina Vatulescu identifies and takes on the main challenges of reading in these archives.
Produktdetails
Produktdetails
Square One: First-Order Questions in the Humanities
Cristina Vatulescu is Associate Professor, Department of Comparative Literature, New York University and the author of Police Aesthetics: Literature, Film, and the Secret Police Archives in Soviet Times (Stanford, 2010).
Inhaltsangabe
Foreword by Paul A. Kottman Acknowledgments Introduction: Challenges of Reading the Archival Revolution 1. Silences: Foucault in Poland (co-authored with Anna Krakus) 2. Intermedia: The Files, Film, and Photo Albums of a Socialist Bank Heist 3. Fictions: Literary Guides to Reading in the Secret Police Archives 4. Silences (Take Two): Gendered Archival Lacunae 5. Data: The Iron Curtain's Origins and Translations Postscript: Toward a Polyphonic Reading Practice, II Notes Works Cited Index
Foreword by Paul A. Kottman Acknowledgments Introduction: Challenges of Reading the Archival Revolution 1. Silences: Foucault in Poland (co-authored with Anna Krakus) 2. Intermedia: The Files, Film, and Photo Albums of a Socialist Bank Heist 3. Fictions: Literary Guides to Reading in the Secret Police Archives 4. Silences (Take Two): Gendered Archival Lacunae 5. Data: The Iron Curtain's Origins and Translations Postscript: Toward a Polyphonic Reading Practice, II Notes Works Cited Index
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