Using montage - relayering multiple pasts and on-going present - this challenges the obsession with "postmodernity," demanding a deeper, more connective understanding of the pleasures and dangers of the European present.
Using montage - relayering multiple pasts and on-going present - this challenges the obsession with "postmodernity," demanding a deeper, more connective understanding of the pleasures and dangers of the European present.
Acknowledgments For(e) Montage: Swedish Modern and the Recognition of European Modernities CHAPTER ONE: Spectacular Articulations of Modernity: The Stockholm Exhibition of 1897 CHAPTER TWO: Pure and Simple Lines Future Lines of Vision: The Stockholm Exhibition of 1930 CHAPTER THREE: Where in the World Am I Are We? Who in the World Am I Are We?: The Glob(e)alization of Stockholm Sweden After Montage: Or What? Bibliography Index
Acknowledgments For(e) Montage: Swedish Modern and the Recognition of European Modernities CHAPTER ONE: Spectacular Articulations of Modernity: The Stockholm Exhibition of 1897 CHAPTER TWO: Pure and Simple Lines Future Lines of Vision: The Stockholm Exhibition of 1930 CHAPTER THREE: Where in the World Am I Are We? Who in the World Am I Are We?: The Glob(e)alization of Stockholm Sweden After Montage: Or What? Bibliography Index
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