This book offers various cases of "literary recycling" that set the term free from the derogatory vision that associates it with repetition and creative exhaustion. It studies recycling as a transformative process breathing new life into the remnants of the literary text and generating new circuits of meanings.
This book offers various cases of "literary recycling" that set the term free from the derogatory vision that associates it with repetition and creative exhaustion. It studies recycling as a transformative process breathing new life into the remnants of the literary text and generating new circuits of meanings.
Mounir Guirat is professor of English and postcolonial literature at the University of Sfax, Tunisia. Henda Ammar-Guirat is professor of English literature at the University of Sfax, Tunisia.
Inhaltsangabe
Acknowledgements Introduction, Henda Ammar-Guirat Part One: Recycling Between Transformation and Resistance Chapter One: Intertext, Tradition and Recycling: Examples of Shakespeare and Aesop Repurposed, Sue Matheson Chapter Two: Henry Mayhew's Recycling and the Problem of Genre, Thomas Prasch Chapter Three: Recycling as Conversation with the Canon: Coleridge's "Dejection: An Ode" and Modernist Experimental Poetics Foreshadowed, Lamia Jaoua-Sahnoun Chapter Four: Poetics of Parody and the Ethics of the Residual in Experimental Literature: A Night at the Movies by Robert Coover, Saloua Karoui-Elounelli Part Two: The Politics and Ethics of Recycling Chapter Five: Recycling Muslim Otherness in Kamila Shamsie's Home Fire, Mounir Guirat Chapter Six: When Otherness is Recycled into Sameness: Hyperreality and the Disappearance of the Real in Ian McEwan's Saturday, Henda Ammar-Guirat Chapter Seven: "Caliban is bound to raise uncomfortable issues": Recycling The Tempest and Disposing of Caliban in Modern Canadian Fiction, Imed Sassi Chapter Eight: Orientalism Recycled in the Postcolonial Texts of Nadeem Aslam: The Blind Man's Garden and The Golden Legend, Rim Souissi-Souidi About the Contributors
Acknowledgements Introduction, Henda Ammar-Guirat Part One: Recycling Between Transformation and Resistance Chapter One: Intertext, Tradition and Recycling: Examples of Shakespeare and Aesop Repurposed, Sue Matheson Chapter Two: Henry Mayhew's Recycling and the Problem of Genre, Thomas Prasch Chapter Three: Recycling as Conversation with the Canon: Coleridge's "Dejection: An Ode" and Modernist Experimental Poetics Foreshadowed, Lamia Jaoua-Sahnoun Chapter Four: Poetics of Parody and the Ethics of the Residual in Experimental Literature: A Night at the Movies by Robert Coover, Saloua Karoui-Elounelli Part Two: The Politics and Ethics of Recycling Chapter Five: Recycling Muslim Otherness in Kamila Shamsie's Home Fire, Mounir Guirat Chapter Six: When Otherness is Recycled into Sameness: Hyperreality and the Disappearance of the Real in Ian McEwan's Saturday, Henda Ammar-Guirat Chapter Seven: "Caliban is bound to raise uncomfortable issues": Recycling The Tempest and Disposing of Caliban in Modern Canadian Fiction, Imed Sassi Chapter Eight: Orientalism Recycled in the Postcolonial Texts of Nadeem Aslam: The Blind Man's Garden and The Golden Legend, Rim Souissi-Souidi About the Contributors
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