Rediscovered Classics of Japanese Animationis the first academic work to examine World Masterpiece Theater(Sekai Meisaku Gekijô, 1969-2009), which popularized the practice of adapting foreign children's books into long-running animated series and laid the groundwork for powerhouses like Studio Ghibli. World Masterpiece Theater (Sekai Meisaku Gekijô, 1969-2009) is a TV staple created by the Japanese studio Nippon Animation, which popularized the practice of adapting foreign children's books into long-running animated series.
Rediscovered Classics of Japanese Animationis the first academic work to examine World Masterpiece Theater(Sekai Meisaku Gekijô, 1969-2009), which popularized the practice of adapting foreign children's books into long-running animated series and laid the groundwork for powerhouses like Studio Ghibli. World Masterpiece Theater (Sekai Meisaku Gekijô, 1969-2009) is a TV staple created by the Japanese studio Nippon Animation, which popularized the practice of adapting foreign children's books into long-running animated series.
Maria Chiara Oltolini has a BA, MA, and PhD from Università Cattolica del Sacro Cuore of Milan, Italy, where she has been working as a Teaching Assistant in Semiotics and History and Language of International Cinema for several years. In 2017, she was a visiting scholar at Cardiff University, UK as part of her PhD program. Her research interests include adaptation as a form of intermedia and intercultural expression, focusing on the relationships between Japanese animation and Children's literature.
Inhaltsangabe
Introduction Part I: Adapting Children's Fiction in Japan Chapter 1: Children's Literature in the Japanese History of Translation Chapter 2: Japanese Animation and Children's Literature Chapter 3: Nippon Animation's "World Masterpiece Theater" Chapter 4: Framing the "Meisaku" Genre Part II: Case History Chapter 5: From "Anne of Green Gables" to "Akage no An" Chapter 6: From "A Little Princess" to "Shôkôjo Sêra" Conclusions Bibliography Index
Introduction Part I: Adapting Children's Fiction in Japan Chapter 1: Children's Literature in the Japanese History of Translation Chapter 2: Japanese Animation and Children's Literature Chapter 3: Nippon Animation's "World Masterpiece Theater" Chapter 4: Framing the "Meisaku" Genre Part II: Case History Chapter 5: From "Anne of Green Gables" to "Akage no An" Chapter 6: From "A Little Princess" to "Shôkôjo Sêra" Conclusions Bibliography Index
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