- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
The Montagu Collection, of worldwide coverage and all types of instruments, began to take shape in the early 1960s when what had been a small and very random collection was then rapidly expanded to illustrate lectures and to provide material for research on all aspects of organology.
Andere Kunden interessierten sich auch für
Donald Murray CampbellMusical Instruments556,99 €
Michael FlemingEarly English Viols183,99 €
Francis W. GalpinA Textbook of European Musical Instruments - Their Origin, History and Character41,99 €
Douglas YeoIllustrated Dictionary for the Modern Trombone, Tuba, and Euphonium Player107,99 €
Peter NinausThe fingering logic and performing of woodwind instruments52,95 €
Paul CarrollBaroque Woodwind Instruments169,99 €
Alec CobbeThree Hundred Years of Composers' Instruments144,99 €-
-
-
The Montagu Collection, of worldwide coverage and all types of instruments, began to take shape in the early 1960s when what had been a small and very random collection was then rapidly expanded to illustrate lectures and to provide material for research on all aspects of organology.
Produktdetails
- Produktdetails
- Verlag: Scarecrow Press
- Seitenzahl: 206
- Erscheinungstermin: 19. Dezember 2001
- Englisch
- Abmessung: 222mm x 145mm x 15mm
- Gewicht: 397g
- ISBN-13: 9780810839380
- ISBN-10: 0810839385
- Artikelnr.: 21043505
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Scarecrow Press
- Seitenzahl: 206
- Erscheinungstermin: 19. Dezember 2001
- Englisch
- Abmessung: 222mm x 145mm x 15mm
- Gewicht: 397g
- ISBN-13: 9780810839380
- ISBN-10: 0810839385
- Artikelnr.: 21043505
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Jeremy Montagu is former curator of the Bate Collection of Musical Instruments and lecturer at the University of Oxford. He is a Fellow of the Society of Antiquaries of London and of the Royal Anthropological Institute, and an Emeritus Fellow of Wadham College, University of Oxford. He is also the president of the Galpin Society, the premier international society for the study of musical instruments. He is the author of a variety of books on musical instruments, including Musical Instruments of the Bible (Scarecrow Press, 2001), Origins and Development of Musical Instruments (Scarecrow Press, 2007), and Horns and Trumpets of the World (Rowman and Littlefield, 2014). A resident of Oxford, England, he has blown the shofar in synagogues since the early 1960s and is a regular worshipper in the synagogue there.
Part 1 Part I-Double Reeds
Chapter 2 Aerophones
Chapter 3 Free Aerophones-Reeds
Chapter 4 Concussion Reeds
Chapter 5 Reedpipes
Chapter 6 Cylindrical Bore Shawms
Chapter 7 Conical Bore Shawms
Chapter 8 Forked Shawms
Chapter 9 Carved Bore Shawms
Chapter 10 Reamed Bore Shawms
Chapter 11 Bagpipes with Double Reed
Chapter 12 Oboes
Chapter 13 Bassoons
Chapter 14 Reeds
Part 15 Part II-Single Reeds
Chapter 16 Idioglot Percussion-Reed "Whistles"
Chapter 17 Heteroglot Single-Reed "Whistles"
Chapter 18 Truly Idioglot Cylindrical Single Reeds
Chapter 19 Idioglot/Heterozeug Single Reeds
Chapter 20 Sets of Idioglot Cylindrical Single Reeds
Chapter 21 Bagpipes
Chapter 22 Heteroglot Cylindrical Single Reeds
Chapter 23 Clarinets
Chapter 24 Idioglot Conical Single Reeds
Chapter 25 Heteroglot Conical Single Reeds-Saxophones
Chapter 26 Reed Hooters with Undetermined Reed
Part 27 Part III-Free Reeds
Chapter 28 Free Reeds
Chapter 29 Mouthorgans
Chapter 30 Reed Organs
Chapter 31 Reed-Pipes with Free Reeds
Part 32 Part IV-Ribbon Reeds & Retreating Reeds
Chapter 33 Ribbon Reeds, Bark Reeds, etc
Chapter 34 Retreating or Dilating Reeds
Part 35 Bibliography
Part 36 Indices
Chapter 37 Catalogue Numbers
Chapter 38 Instrument Names
Chapter 39 Makers & Dealers
Chapter 40 Donors & Vendors
Chapter 41 Geographical Index
Chapter 42 General Index
Chapter 2 Aerophones
Chapter 3 Free Aerophones-Reeds
Chapter 4 Concussion Reeds
Chapter 5 Reedpipes
Chapter 6 Cylindrical Bore Shawms
Chapter 7 Conical Bore Shawms
Chapter 8 Forked Shawms
Chapter 9 Carved Bore Shawms
Chapter 10 Reamed Bore Shawms
Chapter 11 Bagpipes with Double Reed
Chapter 12 Oboes
Chapter 13 Bassoons
Chapter 14 Reeds
Part 15 Part II-Single Reeds
Chapter 16 Idioglot Percussion-Reed "Whistles"
Chapter 17 Heteroglot Single-Reed "Whistles"
Chapter 18 Truly Idioglot Cylindrical Single Reeds
Chapter 19 Idioglot/Heterozeug Single Reeds
Chapter 20 Sets of Idioglot Cylindrical Single Reeds
Chapter 21 Bagpipes
Chapter 22 Heteroglot Cylindrical Single Reeds
Chapter 23 Clarinets
Chapter 24 Idioglot Conical Single Reeds
Chapter 25 Heteroglot Conical Single Reeds-Saxophones
Chapter 26 Reed Hooters with Undetermined Reed
Part 27 Part III-Free Reeds
Chapter 28 Free Reeds
Chapter 29 Mouthorgans
Chapter 30 Reed Organs
Chapter 31 Reed-Pipes with Free Reeds
Part 32 Part IV-Ribbon Reeds & Retreating Reeds
Chapter 33 Ribbon Reeds, Bark Reeds, etc
Chapter 34 Retreating or Dilating Reeds
Part 35 Bibliography
Part 36 Indices
Chapter 37 Catalogue Numbers
Chapter 38 Instrument Names
Chapter 39 Makers & Dealers
Chapter 40 Donors & Vendors
Chapter 41 Geographical Index
Chapter 42 General Index
Part 1 Part I-Double Reeds
Chapter 2 Aerophones
Chapter 3 Free Aerophones-Reeds
Chapter 4 Concussion Reeds
Chapter 5 Reedpipes
Chapter 6 Cylindrical Bore Shawms
Chapter 7 Conical Bore Shawms
Chapter 8 Forked Shawms
Chapter 9 Carved Bore Shawms
Chapter 10 Reamed Bore Shawms
Chapter 11 Bagpipes with Double Reed
Chapter 12 Oboes
Chapter 13 Bassoons
Chapter 14 Reeds
Part 15 Part II-Single Reeds
Chapter 16 Idioglot Percussion-Reed "Whistles"
Chapter 17 Heteroglot Single-Reed "Whistles"
Chapter 18 Truly Idioglot Cylindrical Single Reeds
Chapter 19 Idioglot/Heterozeug Single Reeds
Chapter 20 Sets of Idioglot Cylindrical Single Reeds
Chapter 21 Bagpipes
Chapter 22 Heteroglot Cylindrical Single Reeds
Chapter 23 Clarinets
Chapter 24 Idioglot Conical Single Reeds
Chapter 25 Heteroglot Conical Single Reeds-Saxophones
Chapter 26 Reed Hooters with Undetermined Reed
Part 27 Part III-Free Reeds
Chapter 28 Free Reeds
Chapter 29 Mouthorgans
Chapter 30 Reed Organs
Chapter 31 Reed-Pipes with Free Reeds
Part 32 Part IV-Ribbon Reeds & Retreating Reeds
Chapter 33 Ribbon Reeds, Bark Reeds, etc
Chapter 34 Retreating or Dilating Reeds
Part 35 Bibliography
Part 36 Indices
Chapter 37 Catalogue Numbers
Chapter 38 Instrument Names
Chapter 39 Makers & Dealers
Chapter 40 Donors & Vendors
Chapter 41 Geographical Index
Chapter 42 General Index
Chapter 2 Aerophones
Chapter 3 Free Aerophones-Reeds
Chapter 4 Concussion Reeds
Chapter 5 Reedpipes
Chapter 6 Cylindrical Bore Shawms
Chapter 7 Conical Bore Shawms
Chapter 8 Forked Shawms
Chapter 9 Carved Bore Shawms
Chapter 10 Reamed Bore Shawms
Chapter 11 Bagpipes with Double Reed
Chapter 12 Oboes
Chapter 13 Bassoons
Chapter 14 Reeds
Part 15 Part II-Single Reeds
Chapter 16 Idioglot Percussion-Reed "Whistles"
Chapter 17 Heteroglot Single-Reed "Whistles"
Chapter 18 Truly Idioglot Cylindrical Single Reeds
Chapter 19 Idioglot/Heterozeug Single Reeds
Chapter 20 Sets of Idioglot Cylindrical Single Reeds
Chapter 21 Bagpipes
Chapter 22 Heteroglot Cylindrical Single Reeds
Chapter 23 Clarinets
Chapter 24 Idioglot Conical Single Reeds
Chapter 25 Heteroglot Conical Single Reeds-Saxophones
Chapter 26 Reed Hooters with Undetermined Reed
Part 27 Part III-Free Reeds
Chapter 28 Free Reeds
Chapter 29 Mouthorgans
Chapter 30 Reed Organs
Chapter 31 Reed-Pipes with Free Reeds
Part 32 Part IV-Ribbon Reeds & Retreating Reeds
Chapter 33 Ribbon Reeds, Bark Reeds, etc
Chapter 34 Retreating or Dilating Reeds
Part 35 Bibliography
Part 36 Indices
Chapter 37 Catalogue Numbers
Chapter 38 Instrument Names
Chapter 39 Makers & Dealers
Chapter 40 Donors & Vendors
Chapter 41 Geographical Index
Chapter 42 General Index







