Assessing his work in the context of film aesthetics, philosophy, history, adaptation studies and cultural studies, this is the first book-length English-language anthology about this important director's cinema, offering a wide range of perspectives by a diverse range of international scholars.
Assessing his work in the context of film aesthetics, philosophy, history, adaptation studies and cultural studies, this is the first book-length English-language anthology about this important director's cinema, offering a wide range of perspectives by a diverse range of international scholars.
Dr Laura Hatry recently completed a PhD in Hispanic Studies at Universidad Autonoma de Madrid.
Inhaltsangabe
List of Figures Notes on Contributors Acknowledgments An Introduction. Pablo Larraín: Doomed to Repeat it - Laura Hatry 1. A Cracked Gaze: Pablo Larraín's Cultural Context - Arturo Márquez Gómez 2. The Synecdochic Series of Pablo Larraín: The Castro Cycle of Chilean Complicity in Fuga (2006), Tony Manero (2008), Post Mortem (2010), No (2012), El Club (2105), and Neruda (2016) - Amanda Eaton McMenamin 3. "Within the Limits of the Possible": Realist Aesthetics in Larraín's Dictatorship Trilogy - Berenike Jung 4. When Violence Meets Experimentalism: Unraveling Cinematic Suture in Raúl Ruiz's Tres Tristes Tigres (1968) and Pablo Larraín's Post Mortem (2010) - Eduardo Ledesma 5. Gothic Memory and Ghostly Aesthetics: Post Mortem as a Horror Film - Rosana Díaz-Zambrana 6. Aestheticization of Politics and the War Machine in No (2012) by Pablo Larraín - Ignasi Gozalo-Salellas and Xavier Dapena 7. Adaptation and the Use of Documentary Material in No - Laura Hatry 8. The Blurred Image: The Aesthetics of Impunity in Pablo Larraín's No and El Club - Susana Domingo Amestoy 9. Reimagining the Left in Neruda: Inclusivity and Encounters with Secondary Characters - Rachel VanWieren and Victoria L. Garrett 10. Surfaces in Jackie: Representing Crisis and the Crisis of Representation - James Harvey 11. "When on Stage, I Am Not There, I Am Not That One." An Interview with Alfredo Castro Index
List of Figures Notes on Contributors Acknowledgments An Introduction. Pablo Larraín: Doomed to Repeat it - Laura Hatry 1. A Cracked Gaze: Pablo Larraín's Cultural Context - Arturo Márquez Gómez 2. The Synecdochic Series of Pablo Larraín: The Castro Cycle of Chilean Complicity in Fuga (2006), Tony Manero (2008), Post Mortem (2010), No (2012), El Club (2105), and Neruda (2016) - Amanda Eaton McMenamin 3. "Within the Limits of the Possible": Realist Aesthetics in Larraín's Dictatorship Trilogy - Berenike Jung 4. When Violence Meets Experimentalism: Unraveling Cinematic Suture in Raúl Ruiz's Tres Tristes Tigres (1968) and Pablo Larraín's Post Mortem (2010) - Eduardo Ledesma 5. Gothic Memory and Ghostly Aesthetics: Post Mortem as a Horror Film - Rosana Díaz-Zambrana 6. Aestheticization of Politics and the War Machine in No (2012) by Pablo Larraín - Ignasi Gozalo-Salellas and Xavier Dapena 7. Adaptation and the Use of Documentary Material in No - Laura Hatry 8. The Blurred Image: The Aesthetics of Impunity in Pablo Larraín's No and El Club - Susana Domingo Amestoy 9. Reimagining the Left in Neruda: Inclusivity and Encounters with Secondary Characters - Rachel VanWieren and Victoria L. Garrett 10. Surfaces in Jackie: Representing Crisis and the Crisis of Representation - James Harvey 11. "When on Stage, I Am Not There, I Am Not That One." An Interview with Alfredo Castro Index
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