This book presents the first systematic study of the cinematic representations of religion in the early documentary film on the Balkan Peninsula from 1896 to 1939. It will interest film historians, particularly those interested in the Balkan and European cinema, as well as historians of the Balkans, of religion, and of Eastern Europe.
This book presents the first systematic study of the cinematic representations of religion in the early documentary film on the Balkan Peninsula from 1896 to 1939. It will interest film historians, particularly those interested in the Balkan and European cinema, as well as historians of the Balkans, of religion, and of Eastern Europe.
Milja Radovic is an International Scholar and Principal Investigator (FWF) at the Department of Systematic Theology and Ethics, University of Vienna. She is an active member of Interfilm and serves as a Juror at International Film Festivals including Cannes, Berlinale, Locarno and Karlovy Vary.
Inhaltsangabe
Preface 1. Introduction: Film as History 2. Situating Cinema: Early Film and Artistic Developments 3. The Films: Analysis 1896-1939 4. The Early Documentary Film of the Yugoslav Space 5. Conclusion Filmography Index
Preface 1. Introduction: Film as History 2. Situating Cinema: Early Film and Artistic Developments 3. The Films: Analysis 1896-1939 4. The Early Documentary Film of the Yugoslav Space 5. Conclusion Filmography Index
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