This book examines language ideologies and market exploitation in the television industry. Television networks owned by large media conglomerates are trying to reach U.S. Latino viewers with English-language programming. As these networks enter Hispanic television, they redefine the Latino audience to closely resemble the mainstream population.
This book examines language ideologies and market exploitation in the television industry. Television networks owned by large media conglomerates are trying to reach U.S. Latino viewers with English-language programming. As these networks enter Hispanic television, they redefine the Latino audience to closely resemble the mainstream population.
Christopher Chávez is assistant professor in the School of Journalism and Communication at the University of Oregon.
Inhaltsangabe
Chapter One: Hispanic Television and the Changing Field of Latino Cultural Production Chapter Two: Audience Reconstruction and the Rise of "New Latino" Chapter Three: Mixing, Switching, and Policing Linguistic Boundaries Chapter Four: English-Language Television and Linguistic Erasures Chapter Five: The New Hispanic Television Landscape and the False Promise of Democracy
Chapter One: Hispanic Television and the Changing Field of Latino Cultural Production Chapter Two: Audience Reconstruction and the Rise of "New Latino" Chapter Three: Mixing, Switching, and Policing Linguistic Boundaries Chapter Four: English-Language Television and Linguistic Erasures Chapter Five: The New Hispanic Television Landscape and the False Promise of Democracy
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