Sangjoon Lee, Darlene Espena
Remapping the Cold War in Asian Cinemas
Herausgeber: Lee, Sangjoon; Espena, Darlene
Sangjoon Lee, Darlene Espena
Remapping the Cold War in Asian Cinemas
Herausgeber: Lee, Sangjoon; Espena, Darlene
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This book is about cinema and the cultural Cold War in Asia, set against the larger history of the cultural, political, and institutional linkages between the US, Europe, and Asia at the height of the Cold War.
Andere Kunden interessierten sich auch für
Chinese-Japanese Competition and the East Asian Security Complex55,99 €
Mark Selden (ed.)The Resurgence of East Asia237,99 €
Torkel Brekke (ed.)The Ethics of War in Asian Civilizations168,99 €
The Making of Singapore as an Asian Regional Corridor178,99 €
Niu RunzhenThe Origin of East Asian Medieval Capital Construction System186,99 €
The Ethics of War in Asian Civilizations59,99 €
The Routledge Handbook of Asian Security Studies62,99 €-
-
-
This book is about cinema and the cultural Cold War in Asia, set against the larger history of the cultural, political, and institutional linkages between the US, Europe, and Asia at the height of the Cold War.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 334
- Erscheinungstermin: 25. Juni 2024
- Englisch
- Abmessung: 240mm x 161mm x 23mm
- Gewicht: 666g
- ISBN-13: 9789463727273
- ISBN-10: 9463727272
- Artikelnr.: 74754485
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Routledge
- Seitenzahl: 334
- Erscheinungstermin: 25. Juni 2024
- Englisch
- Abmessung: 240mm x 161mm x 23mm
- Gewicht: 666g
- ISBN-13: 9789463727273
- ISBN-10: 9463727272
- Artikelnr.: 74754485
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Sangjoon Lee is an Associate Professor at the School of Creative Media, City University of Hong Kong. Lee is the author of Cinema and the Cultural Cold War: US Diplomacy and the Origins of the Asian Cinema Network (Cornell University Press, 2020). He edited/co-edited The South Korean Film Industry (University of Michigan Press, 2024), The Routledge Companion to Asian Cinema (2024), Rediscovering Korean Cinema (University of Michigan Press, 2019), and Hallyu 2.0: The Korean Wave in the Age of Social Media (University of Michigan Press, 2015). Lee also guest-edited "Is Netflix Riding the Korean Wave or Vice Versa?" (International Journal of Communication, 2023), "Reorienting Asian Cinema in the Age of the Chinese Film Market (Screen, 2019), and "The Chinese Film Industry: Emerging Debates" (Journal of Chinese Cinemas, 2019). Darlene Machell Espeña is Assistant Professor of Southeast Asian Studies at Singapore Management University (SMU). Her research interests include cinema, dance, culture, and politics in postcolonial Southeast Asia, the cultural history of the Cold War in Southeast Asia, and cultural discourses on education in Singapore. Her writings appear in journals such as Inter-Asia Cultural Studies, Asia Pacific Journal of Education, and Asian Studies Review. She is working on her first book project, Imagi(ni)ng Southeast Asia: Cinema, Politics, and the Origins of a Region, which traces the cultural and ideological foundations of Southeast Asia as a region until the establishment of ASEAN in 1967.
Chapter 1: Introduction: Locating Asia in the Cinematic Cold War - Sangjoon
Lee and Darlene Machell Espeña, Part One: The Cinematic Representations and
Constructions of Asian Nations, Identities, and Cultures, Chapter 2:
Taiwanese-Language Cinema as Cold War Industry and Culture: Compliance
without Commitment - Chris Berry (King's College London), Chapter 3:
Landscape, Identity, and War: The Poetic Revolutionary Cinema of North
Vietnam - Man Fung Yip (University of Oklahoma), Chapter 4: Screening the
Cold War in Cambodia: Films of Norodom Sihanouk and Rithy Panh - Darlene
Machell Espeña (Singapore Management University), Chapter 5: Islam and the
Cultural Cold War: Tauhid and the Quest for the Modern Muslim - Eric Sasono
(Independent Researcher), Part Two: The Cold War Geopolitics on Asian
Cinemas, Chapter 6: Third World, First World: Ishihara Y.jir. and the Cold
War - Hiroshi Kitamura (College of William & Mary), Chapter 7: Right Screen
in Hong Kong: Chang Kuo-sin's Asia Pictures and The Heroine - Kenny K.K. Ng
(Hong Kong Baptist University), Chapter 8: Cold War Myth from Elite
Democracy to Martial Law in the Genre Cinema of Fernando Poe Jr. in the
1960s and 1970s - Elmo Gonzaga (Chinese University of Hong Kong), Chapter
9: Silver Screen Reversals of the Domino Theory: American Cold War Movies
and the Re-imagining of Britain's Experience in Southeast Asia - Wen-Qing
Ngoei (Singapore Management University), Chapter 10: Ugly Americans and
Indeterminate Asians: Strategies/Symptoms of Southeast Asian Representation
in Cold War US Film - Adam Knee (LASALLE College of the Arts), Part Three:
Cold War Film Genres, Chapter 11: Counter-Occupying Americanism in South
Korea and Taiwan: Taking Back the Spaces of US Base Culture in the Cold War
Musical Number - Evelyn Shih (University of Colorado, Boulder), Chapter 12:
SOS Hong Kong: Coproducing Espionage Films in Cold War Asia - Sangjoon Lee
(City University of Hong Kong), Chapter 13: Cosmopolitan K.jedo: Swing Kids
(2018) and Historical Memories of the Korean War - Christina Klein (Boston
College), Chapter 14: Spectacle of Violence and the Beiqing Masculine:
Post-war Structure of Feeling in Taiwan Pulp - Ting-Wu Cho (Women Make
Waves International Film Festival), Part Four: The Long Shadow of the Cold
War in Contemporary Asian Cinemas, Chapter 15: Memories of the Future:
Speculative Cold War Histories in Yosep Anggi Noen's The Science of
Fictions and Daniel Hui's Snakeskin - Elizabeth Wijaya (University of
Toronto), Chapter 16: A Frozen Fraternity: Kungfu Yoga and Cold War
Archaeologies - Nitin Govil (University of Southern California),List of
Illustrations,Notes on Contributors, Index.
Lee and Darlene Machell Espeña, Part One: The Cinematic Representations and
Constructions of Asian Nations, Identities, and Cultures, Chapter 2:
Taiwanese-Language Cinema as Cold War Industry and Culture: Compliance
without Commitment - Chris Berry (King's College London), Chapter 3:
Landscape, Identity, and War: The Poetic Revolutionary Cinema of North
Vietnam - Man Fung Yip (University of Oklahoma), Chapter 4: Screening the
Cold War in Cambodia: Films of Norodom Sihanouk and Rithy Panh - Darlene
Machell Espeña (Singapore Management University), Chapter 5: Islam and the
Cultural Cold War: Tauhid and the Quest for the Modern Muslim - Eric Sasono
(Independent Researcher), Part Two: The Cold War Geopolitics on Asian
Cinemas, Chapter 6: Third World, First World: Ishihara Y.jir. and the Cold
War - Hiroshi Kitamura (College of William & Mary), Chapter 7: Right Screen
in Hong Kong: Chang Kuo-sin's Asia Pictures and The Heroine - Kenny K.K. Ng
(Hong Kong Baptist University), Chapter 8: Cold War Myth from Elite
Democracy to Martial Law in the Genre Cinema of Fernando Poe Jr. in the
1960s and 1970s - Elmo Gonzaga (Chinese University of Hong Kong), Chapter
9: Silver Screen Reversals of the Domino Theory: American Cold War Movies
and the Re-imagining of Britain's Experience in Southeast Asia - Wen-Qing
Ngoei (Singapore Management University), Chapter 10: Ugly Americans and
Indeterminate Asians: Strategies/Symptoms of Southeast Asian Representation
in Cold War US Film - Adam Knee (LASALLE College of the Arts), Part Three:
Cold War Film Genres, Chapter 11: Counter-Occupying Americanism in South
Korea and Taiwan: Taking Back the Spaces of US Base Culture in the Cold War
Musical Number - Evelyn Shih (University of Colorado, Boulder), Chapter 12:
SOS Hong Kong: Coproducing Espionage Films in Cold War Asia - Sangjoon Lee
(City University of Hong Kong), Chapter 13: Cosmopolitan K.jedo: Swing Kids
(2018) and Historical Memories of the Korean War - Christina Klein (Boston
College), Chapter 14: Spectacle of Violence and the Beiqing Masculine:
Post-war Structure of Feeling in Taiwan Pulp - Ting-Wu Cho (Women Make
Waves International Film Festival), Part Four: The Long Shadow of the Cold
War in Contemporary Asian Cinemas, Chapter 15: Memories of the Future:
Speculative Cold War Histories in Yosep Anggi Noen's The Science of
Fictions and Daniel Hui's Snakeskin - Elizabeth Wijaya (University of
Toronto), Chapter 16: A Frozen Fraternity: Kungfu Yoga and Cold War
Archaeologies - Nitin Govil (University of Southern California),List of
Illustrations,Notes on Contributors, Index.
Chapter 1: Introduction: Locating Asia in the Cinematic Cold War - Sangjoon
Lee and Darlene Machell Espeña, Part One: The Cinematic Representations and
Constructions of Asian Nations, Identities, and Cultures, Chapter 2:
Taiwanese-Language Cinema as Cold War Industry and Culture: Compliance
without Commitment - Chris Berry (King's College London), Chapter 3:
Landscape, Identity, and War: The Poetic Revolutionary Cinema of North
Vietnam - Man Fung Yip (University of Oklahoma), Chapter 4: Screening the
Cold War in Cambodia: Films of Norodom Sihanouk and Rithy Panh - Darlene
Machell Espeña (Singapore Management University), Chapter 5: Islam and the
Cultural Cold War: Tauhid and the Quest for the Modern Muslim - Eric Sasono
(Independent Researcher), Part Two: The Cold War Geopolitics on Asian
Cinemas, Chapter 6: Third World, First World: Ishihara Y.jir. and the Cold
War - Hiroshi Kitamura (College of William & Mary), Chapter 7: Right Screen
in Hong Kong: Chang Kuo-sin's Asia Pictures and The Heroine - Kenny K.K. Ng
(Hong Kong Baptist University), Chapter 8: Cold War Myth from Elite
Democracy to Martial Law in the Genre Cinema of Fernando Poe Jr. in the
1960s and 1970s - Elmo Gonzaga (Chinese University of Hong Kong), Chapter
9: Silver Screen Reversals of the Domino Theory: American Cold War Movies
and the Re-imagining of Britain's Experience in Southeast Asia - Wen-Qing
Ngoei (Singapore Management University), Chapter 10: Ugly Americans and
Indeterminate Asians: Strategies/Symptoms of Southeast Asian Representation
in Cold War US Film - Adam Knee (LASALLE College of the Arts), Part Three:
Cold War Film Genres, Chapter 11: Counter-Occupying Americanism in South
Korea and Taiwan: Taking Back the Spaces of US Base Culture in the Cold War
Musical Number - Evelyn Shih (University of Colorado, Boulder), Chapter 12:
SOS Hong Kong: Coproducing Espionage Films in Cold War Asia - Sangjoon Lee
(City University of Hong Kong), Chapter 13: Cosmopolitan K.jedo: Swing Kids
(2018) and Historical Memories of the Korean War - Christina Klein (Boston
College), Chapter 14: Spectacle of Violence and the Beiqing Masculine:
Post-war Structure of Feeling in Taiwan Pulp - Ting-Wu Cho (Women Make
Waves International Film Festival), Part Four: The Long Shadow of the Cold
War in Contemporary Asian Cinemas, Chapter 15: Memories of the Future:
Speculative Cold War Histories in Yosep Anggi Noen's The Science of
Fictions and Daniel Hui's Snakeskin - Elizabeth Wijaya (University of
Toronto), Chapter 16: A Frozen Fraternity: Kungfu Yoga and Cold War
Archaeologies - Nitin Govil (University of Southern California),List of
Illustrations,Notes on Contributors, Index.
Lee and Darlene Machell Espeña, Part One: The Cinematic Representations and
Constructions of Asian Nations, Identities, and Cultures, Chapter 2:
Taiwanese-Language Cinema as Cold War Industry and Culture: Compliance
without Commitment - Chris Berry (King's College London), Chapter 3:
Landscape, Identity, and War: The Poetic Revolutionary Cinema of North
Vietnam - Man Fung Yip (University of Oklahoma), Chapter 4: Screening the
Cold War in Cambodia: Films of Norodom Sihanouk and Rithy Panh - Darlene
Machell Espeña (Singapore Management University), Chapter 5: Islam and the
Cultural Cold War: Tauhid and the Quest for the Modern Muslim - Eric Sasono
(Independent Researcher), Part Two: The Cold War Geopolitics on Asian
Cinemas, Chapter 6: Third World, First World: Ishihara Y.jir. and the Cold
War - Hiroshi Kitamura (College of William & Mary), Chapter 7: Right Screen
in Hong Kong: Chang Kuo-sin's Asia Pictures and The Heroine - Kenny K.K. Ng
(Hong Kong Baptist University), Chapter 8: Cold War Myth from Elite
Democracy to Martial Law in the Genre Cinema of Fernando Poe Jr. in the
1960s and 1970s - Elmo Gonzaga (Chinese University of Hong Kong), Chapter
9: Silver Screen Reversals of the Domino Theory: American Cold War Movies
and the Re-imagining of Britain's Experience in Southeast Asia - Wen-Qing
Ngoei (Singapore Management University), Chapter 10: Ugly Americans and
Indeterminate Asians: Strategies/Symptoms of Southeast Asian Representation
in Cold War US Film - Adam Knee (LASALLE College of the Arts), Part Three:
Cold War Film Genres, Chapter 11: Counter-Occupying Americanism in South
Korea and Taiwan: Taking Back the Spaces of US Base Culture in the Cold War
Musical Number - Evelyn Shih (University of Colorado, Boulder), Chapter 12:
SOS Hong Kong: Coproducing Espionage Films in Cold War Asia - Sangjoon Lee
(City University of Hong Kong), Chapter 13: Cosmopolitan K.jedo: Swing Kids
(2018) and Historical Memories of the Korean War - Christina Klein (Boston
College), Chapter 14: Spectacle of Violence and the Beiqing Masculine:
Post-war Structure of Feeling in Taiwan Pulp - Ting-Wu Cho (Women Make
Waves International Film Festival), Part Four: The Long Shadow of the Cold
War in Contemporary Asian Cinemas, Chapter 15: Memories of the Future:
Speculative Cold War Histories in Yosep Anggi Noen's The Science of
Fictions and Daniel Hui's Snakeskin - Elizabeth Wijaya (University of
Toronto), Chapter 16: A Frozen Fraternity: Kungfu Yoga and Cold War
Archaeologies - Nitin Govil (University of Southern California),List of
Illustrations,Notes on Contributors, Index.







