Remarks on the Architecture of the Middle Ages - Willis, Robert
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Professor of natural and experimental philosophy at the University of Cambridge, Robert Willis (1800-75) mostly lectured on mechanism, and was elected an honorary member of the Institution of Civil Engineers in 1838. But Willis's interests also included Italian Gothic architecture, and his observations on the style, amassed in 1832-3 while travelling in France, Italy and Germany, were presented in this book, first published in 1835. The work is a pioneering study of Italian Gothic, a mode overlooked by his contemporaries, and key examples are brought together. It places Italian Gothic…mehr

Produktbeschreibung
Professor of natural and experimental philosophy at the University of Cambridge, Robert Willis (1800-75) mostly lectured on mechanism, and was elected an honorary member of the Institution of Civil Engineers in 1838. But Willis's interests also included Italian Gothic architecture, and his observations on the style, amassed in 1832-3 while travelling in France, Italy and Germany, were presented in this book, first published in 1835. The work is a pioneering study of Italian Gothic, a mode overlooked by his contemporaries, and key examples are brought together. It places Italian Gothic architecture within a European context and argues that the style represents an evolutionary assemblage of architectural motifs from different places and earlier periods. Willis's narrative refocused attention on Italian Gothic, winning the approval of the Institution of British Architects, which made him an honorary member in the year of its publication.
Autorenporträt
Born in Bagdad, Florida, in 1927, Robert Willis served in the U.S. Marine Corps during World War II. The conflict fired his desire for learning, and after the war ended, he attended Florida Southern College, the University of Texas, and capping it off with a PhD from Florida State University. Careers in higher education and, later, real estate followed. Willis has pursued writing with earnest passion since the 1960s. A fan of serious fiction, sometimes with comic overtones, he admires writers like Twain, Hemingway, even the classical bards like Shakespeare and Homer. The list goes on....