Eric Jan Sluijter is professor of the History of Renaissance and Early Modern Art at the University of Amsterdam and the Institute of Fine Arts, New York University.
Inhaltsangabe
Preface and Acknowledgements 1 Introduction 2 Andromeda Chained to the Rock 3 Intermezzo: Rembrandt and the Depiction of the Passions in the 1620s and 1630s 4 Susanna and the Elders 66 5 Intermezzo: Images of the Nude: Moral Disapproval and Erotic Impact 6 Diana and Her Nymphs Surprised by Actaeon and the Discovery of Callisto's Pregnancy 7 Intermezzo: Rembrandt and Notions about Art: 'Coloring; and the 'From Life' Ideology 8 Danaë 9 Intermezzo: Imitation Artistic Competition and Rapen 10 Prints and Related Drawings: Modeling the Nude 11 Intermezzo: The Nude the Artist and the Female Model 12 Bathsheba Contemplating King David's Letter.
Preface and Acknowledgements 1 Introduction 2 Andromeda Chained to the Rock 3 Intermezzo: Rembrandt and the Depiction of the Passions in the 1620s and 1630s 4 Susanna and the Elders 66 5 Intermezzo: Images of the Nude: Moral Disapproval and Erotic Impact 6 Diana and Her Nymphs Surprised by Actaeon and the Discovery of Callisto's Pregnancy 7 Intermezzo: Rembrandt and Notions about Art: 'Coloring; and the 'From Life' Ideology 8 Danaë 9 Intermezzo: Imitation Artistic Competition and Rapen 10 Prints and Related Drawings: Modeling the Nude 11 Intermezzo: The Nude the Artist and the Female Model 12 Bathsheba Contemplating King David's Letter.
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