Winner of the prestigious College Art Association/Heritage Preservation Award, this is a fully updated, colour-illustrated new edition of the bestselling study of Rembrandt's working methods.
Winner of the prestigious College Art Association/Heritage Preservation Award, this is a fully updated, colour-illustrated new edition of the bestselling study of Rembrandt's working methods.
Ernst van de Wetering (1938) was professor of art history. He became a team-member of the Rembrandt Research Project in 1968 and its chairman in 1993. Originally trained as a painter and art-historian, he worked from 1969-1987 in the Amsterdam based Central Research Laboratory of Objects of Art and Science. From 1987-2002 he taught at the University of Amsterdam. In 2003/2004 he was Slade Professor at the University of Oxford. He was considered one of the world's foremost specialists on Rembrandt and his work. In 1997, he published the widely acclaimed monograph Rembrandt: The Painter at Work (2nd ed. 2008). 2014 saw the publication of his monumental oeuvre catalogue Rembrandt's Paintings Revisited: A Complete Survey; the concluding volume of A Corpus of Rembrandt Paintings.
Inhaltsangabe
Preface I Introduction: Rembrandt -an Alchemist? II Painting Materials and Working Methods of the Young Rembrandt III Lost Drawings and the Use of Erasable Drawing Boards and 'Tafeletten' IV The Creation of the Pictorial Idea V The Canvas Support VI The Palette; on the Relationship between Style and Painting Technique VII Rembrandt's Brushwork and Illusionism; an Art-Theoretical Approach VIII Rembrandt's Method of Working in the 'Night Watch' and his Late Paintings IX The Search for Rembrandt's Binding Medium X The Impact of Time and Rembrandt's Ideas on Colour and Tone XI Perspectives on the Quality of Rembrandt's Art Biographical Data and Chronological List of Rembrandt's Works Reproduced in this Book Notes Bibliography Glossary Index Concordance Photo Acknowledgements
Preface I Introduction: Rembrandt -an Alchemist? II Painting Materials and Working Methods of the Young Rembrandt III Lost Drawings and the Use of Erasable Drawing Boards and 'Tafeletten' IV The Creation of the Pictorial Idea V The Canvas Support VI The Palette; on the Relationship between Style and Painting Technique VII Rembrandt's Brushwork and Illusionism; an Art-Theoretical Approach VIII Rembrandt's Method of Working in the 'Night Watch' and his Late Paintings IX The Search for Rembrandt's Binding Medium X The Impact of Time and Rembrandt's Ideas on Colour and Tone XI Perspectives on the Quality of Rembrandt's Art Biographical Data and Chronological List of Rembrandt's Works Reproduced in this Book Notes Bibliography Glossary Index Concordance Photo Acknowledgements
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