The simplified, pared-down textures of this revived Requiem were a revelation, and seemed to add, rather than detract from the work's power to move. The Oxford University Press Choral Classics series has continued to be a vehicle for Rutter's work as editor and to showcase interesting historical curiosities . . . Fauré's economical interweaving of the vocal lines seems only to magnify the music's poignancy and limpid purpose. Matthew Greenall, The Singer, April 2004
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