Resisting Art - Fernando, Jeremy
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This text attempts to respond to the question of the relationship between art and resistance, to the possibility of art as resistance - that is, it is an attempt to meditate on the possible relationship between resisting and art. Whilst doing so, it also tries to attend to the notion that art is an encounter - between one and something that is brought forth in the movement from craft to something other than what is created through tekhn¿. And, if so, it is always also potentially unknown, unknowable, until it happens, perhaps even after it happens. That, even as it might be experienced, felt -…mehr

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Produktbeschreibung
This text attempts to respond to the question of the relationship between art and resistance, to the possibility of art as resistance - that is, it is an attempt to meditate on the possible relationship between resisting and art. Whilst doing so, it also tries to attend to the notion that art is an encounter - between one and something that is brought forth in the movement from craft to something other than what is created through tekhn¿. And, if so, it is always also potentially unknown, unknowable, until it happens, perhaps even after it happens. That, even as it might be experienced, felt - an encounter through aisthesis - it is quite possibly a moment beyond cognition; un pas au-delà, as it were. And if so, then perhaps all attempts to know it potentially do nothing other than to frame, to confine, its potentiality. Thus, perhaps the very thing that one has to do - if one is to attempt to maintain the possibility of resistance in art - is to resist what one thinks art itself is.
Autorenporträt
Jeremy Fernando reads, writes, and makes things.He works in the intersections of literature, philosophy, and art; and his, more than thirty, books include Reading Blindly, Living with Art, Writing Death, in fidelity, Tómate un paseo por el lado oscuro del camino, resisting art, Writing Skin, A Ghost Never Dies, The feather of Ma'at, un oeil d'or, I wish we were lovers, and Jeremy Fernando by Jeremy Fernando. His writing has also been featured in magazines and journals such as Arte al Límite, Berfrois, CTheory, Cenobio, Entropy, Full Bleed, Poiesis, Philosophy World Democracy, Queen Mob's Teahouse, Qui Parle, RIC Journal, Testo e Senso, TimeOut, and Voice & Verse Poetry Magazine, amongst others; and has been translated into the Brazilian-Portuguese, French, German, Italian, Japanese, Korean, Spanish, and Serbian. Exploring other media has led him to film, music, performance-readings, and the visual arts; and his work has been exhibited in Seoul, Vienna, Hong Kong, Lisbon, and Singapore. He has been invited to read at the Akademie der Künste in Berlin in September 2016; and to deliver a series of performance-readings at the 2018, 2020, and 2022 editions of the Bienal de la Imagen en Movimiento in Buenos Aires, the latter at which he also curated a filmic omnibus entitled reading dreaming malaya. He is the general editor of Delere Press; curates the thematic magazine One Imperative; is the Jean Baudrillard Fellow at The European Graduate School; co-creator of the private dining experience, People Table Tales; and the writer-in-residence at Appetite, the sensorial laboratory exploring the cross-roads of food, music, and art.