Arguing that early Restoration theatre and drama is misunderstood, owing to critical and theatrical neglect, this book cuts through received notions by reading the plays in their original theatrical contexts. Tim Keenan proposes that Restoration play texts encode more information about their own performance than has hitherto been recovered. Conside
Arguing that early Restoration theatre and drama is misunderstood, owing to critical and theatrical neglect, this book cuts through received notions by reading the plays in their original theatrical contexts. Tim Keenan proposes that Restoration play texts encode more information about their own performance than has hitherto been recovered. Conside
Tim Keenan is Lecturer in Drama (Shakespeare and the Classics) at Liverpool Hope University, and Honorary Research Fellow, University of Seville Restoration Comedy Project.
Inhaltsangabe
Contents Acknowledgements List of figures List of tables Theatrical terms and definitions Historical note Introduction 1. Interpreting Restoration Drama: some facts and fictions 2. Visualising Restoration Staging 3. Modelling the Lincoln's Inn Fields stage 4. Testing the Model 1: Analysing the Plays, 1661-74 5. Testing the Model 2: Exceptional Staging Demand 6. Applying the model: cracking the codes 7. Developing a scenic dramaturgy 8. Conclusion: the plays and the model Works cited Index
Contents Acknowledgements List of figures List of tables Theatrical terms and definitions Historical note Introduction 1. Interpreting Restoration Drama: some facts and fictions 2. Visualising Restoration Staging 3. Modelling the Lincoln's Inn Fields stage 4. Testing the Model 1: Analysing the Plays, 1661-74 5. Testing the Model 2: Exceptional Staging Demand 6. Applying the model: cracking the codes 7. Developing a scenic dramaturgy 8. Conclusion: the plays and the model Works cited Index
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