Rethinking Darkness
Cultures, Histories, Practices
Herausgeber: Dunn, Nick; Edensor, Tim
Rethinking Darkness
Cultures, Histories, Practices
Herausgeber: Dunn, Nick; Edensor, Tim
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This book examines the concept of darkness through a range of cultures, histories, practices and experiences. It engages with darkness beyond its binary positioning against light to advance a critical understanding of the ways in which darkness can be experienced, practised and conceptualised.
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This book examines the concept of darkness through a range of cultures, histories, practices and experiences. It engages with darkness beyond its binary positioning against light to advance a critical understanding of the ways in which darkness can be experienced, practised and conceptualised.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 302
- Erscheinungstermin: 29. Oktober 2020
- Englisch
- Abmessung: 240mm x 161mm x 21mm
- Gewicht: 619g
- ISBN-13: 9780367201159
- ISBN-10: 0367201151
- Artikelnr.: 59983774
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Routledge
- Seitenzahl: 302
- Erscheinungstermin: 29. Oktober 2020
- Englisch
- Abmessung: 240mm x 161mm x 21mm
- Gewicht: 619g
- ISBN-13: 9780367201159
- ISBN-10: 0367201151
- Artikelnr.: 59983774
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Nick Dunn is Professor of Urban Design and Executive Director of Imagination, the design research lab at Lancaster University, UK. He is senior fellow at the Institute for Social Futures. Nick has authored numerous books, journal articles and reports on cities, futures and darkness. Tim Edensor is Professor of Human Geography at Manchester Metropolitan University. He is the author of Tourists at the Taj (1998), National Identity, Popular Culture and Everyday Life (2002), Industrial Ruins: Space, Aesthetics and Materiality (2005), From Light to Dark: Daylight, Illumination and Gloom (2017), and Stone: Stories of Urban Materiality (2020).
Introduction Venturing into the Dark: Gloomy Multiplicities Part 1:
Histories of The Dark 1. Affordances of the Night: Work After Dark in the
Ancient World 2. Shakespeare's Darkness: A Stage and State of Mind 3. In
the Night Garden: Vauxhall Pleasure Gardens, London 1800-1859 4. A Short
History of Artificial Darkness and Race Part 2: Cultural Practices in the
Dark 5. Purda: The Curtain of Darkness 6. Inuit's Perception of Darkness: A
Singular Feature 7. Darkness in Videogame Landscapes: Corporeal and
Representational Entanglements 8. Dancing in The Darkness To The Darkness
Part 3: Sensing Darkness 9. Creatures of The Night: Bodies, Rhythms And
Aurora Borealis 10. Contact Zones: The Galloway Forest Dark Sky Park as
Creative Milieu 11. How Does the Dark Sound? 12. Ghosts and Empties Part 4:
Designing with Darkness 13. Going Dark: The Theatrical Legacy of Battersea
Art Centre's Playing In The Dark Season 14. On Darkness, Duration and
Possibility 15. Darkness as Canvas 16. Designing with Light and Darkness
Afterword Revisiting the Dark: Diverse Encounters and Experiences
Histories of The Dark 1. Affordances of the Night: Work After Dark in the
Ancient World 2. Shakespeare's Darkness: A Stage and State of Mind 3. In
the Night Garden: Vauxhall Pleasure Gardens, London 1800-1859 4. A Short
History of Artificial Darkness and Race Part 2: Cultural Practices in the
Dark 5. Purda: The Curtain of Darkness 6. Inuit's Perception of Darkness: A
Singular Feature 7. Darkness in Videogame Landscapes: Corporeal and
Representational Entanglements 8. Dancing in The Darkness To The Darkness
Part 3: Sensing Darkness 9. Creatures of The Night: Bodies, Rhythms And
Aurora Borealis 10. Contact Zones: The Galloway Forest Dark Sky Park as
Creative Milieu 11. How Does the Dark Sound? 12. Ghosts and Empties Part 4:
Designing with Darkness 13. Going Dark: The Theatrical Legacy of Battersea
Art Centre's Playing In The Dark Season 14. On Darkness, Duration and
Possibility 15. Darkness as Canvas 16. Designing with Light and Darkness
Afterword Revisiting the Dark: Diverse Encounters and Experiences
Introduction Venturing into the Dark: Gloomy Multiplicities Part 1:
Histories of The Dark 1. Affordances of the Night: Work After Dark in the
Ancient World 2. Shakespeare's Darkness: A Stage and State of Mind 3. In
the Night Garden: Vauxhall Pleasure Gardens, London 1800-1859 4. A Short
History of Artificial Darkness and Race Part 2: Cultural Practices in the
Dark 5. Purda: The Curtain of Darkness 6. Inuit's Perception of Darkness: A
Singular Feature 7. Darkness in Videogame Landscapes: Corporeal and
Representational Entanglements 8. Dancing in The Darkness To The Darkness
Part 3: Sensing Darkness 9. Creatures of The Night: Bodies, Rhythms And
Aurora Borealis 10. Contact Zones: The Galloway Forest Dark Sky Park as
Creative Milieu 11. How Does the Dark Sound? 12. Ghosts and Empties Part 4:
Designing with Darkness 13. Going Dark: The Theatrical Legacy of Battersea
Art Centre's Playing In The Dark Season 14. On Darkness, Duration and
Possibility 15. Darkness as Canvas 16. Designing with Light and Darkness
Afterword Revisiting the Dark: Diverse Encounters and Experiences
Histories of The Dark 1. Affordances of the Night: Work After Dark in the
Ancient World 2. Shakespeare's Darkness: A Stage and State of Mind 3. In
the Night Garden: Vauxhall Pleasure Gardens, London 1800-1859 4. A Short
History of Artificial Darkness and Race Part 2: Cultural Practices in the
Dark 5. Purda: The Curtain of Darkness 6. Inuit's Perception of Darkness: A
Singular Feature 7. Darkness in Videogame Landscapes: Corporeal and
Representational Entanglements 8. Dancing in The Darkness To The Darkness
Part 3: Sensing Darkness 9. Creatures of The Night: Bodies, Rhythms And
Aurora Borealis 10. Contact Zones: The Galloway Forest Dark Sky Park as
Creative Milieu 11. How Does the Dark Sound? 12. Ghosts and Empties Part 4:
Designing with Darkness 13. Going Dark: The Theatrical Legacy of Battersea
Art Centre's Playing In The Dark Season 14. On Darkness, Duration and
Possibility 15. Darkness as Canvas 16. Designing with Light and Darkness
Afterword Revisiting the Dark: Diverse Encounters and Experiences







