Return of the Devil - Harbron, Michael
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In Return of the Devil, the cracks in Joseph Banbury's universe have unleashed chaos. Six years after the Epoch, a parasitic force-born of the Abstract and feeding on the instability of creation-threatens to consume reality itself. As nightmares spill into the world, the new Morningstar Tribe must reunite with Joseph, the God who abandoned them, and uncover the truth he tried to bury. Now, with Earth collapsing and Hell unraveling, the only hope for restoring balance lies in the unthinkable-the return of the Devil. Their journey will take them through the Axis Mundi, across a scorched and…mehr

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Produktbeschreibung
In Return of the Devil, the cracks in Joseph Banbury's universe have unleashed chaos. Six years after the Epoch, a parasitic force-born of the Abstract and feeding on the instability of creation-threatens to consume reality itself. As nightmares spill into the world, the new Morningstar Tribe must reunite with Joseph, the God who abandoned them, and uncover the truth he tried to bury. Now, with Earth collapsing and Hell unraveling, the only hope for restoring balance lies in the unthinkable-the return of the Devil. Their journey will take them through the Axis Mundi, across a scorched and broken Earth, and into the inferno Joseph created to forget. Together, they must survive the Infernum Trials, confront their deepest traumas, and rally behind the very being Joseph once condemned. Because only the Devil can save them now.
Autorenporträt
Michael Harbron is an American fiction writer who brings a unique, yet traditional approach to the horror and supernatural genres. From a young age, Harbron was captivated by the eerie and unexplained, a fascination that has deeply influenced his writing. His works aim to unsettle readers through suspense and psychological depth, revisiting the shadowy corners of childhood fears. His debut novel, "Interview with the Devil," exemplifies the blurred lines between reality and the unimaginable. Harbron's storytelling resurrects dormant fears, proving that true horror lies not in what is seen, but in what is felt.