Using works by Hubert Harrison, George S. Schuyler, and Wallace Thurman as illustrations of blackness and literature in the early twentieth century, the author investigates how these works reflect Black Americans’ changing views during the New Negro, the Harlem Renaissance, and Harlem’s Literati movements.
Using works by Hubert Harrison, George S. Schuyler, and Wallace Thurman as illustrations of blackness and literature in the early twentieth century, the author investigates how these works reflect Black Americans’ changing views during the New Negro, the Harlem Renaissance, and Harlem’s Literati movements.
Tammie Jenkins, PhD, is an independent scholar of curriculum instruction.
Inhaltsangabe
Acknowledgments Introduction: Passing for One, Now the Other Chapter One: Hubert Henry Harrison: New Negro Street Corner Radicalism Chapter Two: George Schuyler and his Black No More Renaissance Chapter Three: Wallace Thurman's Youth Blackens the Berries Conclusion: Rethinking Blackness in Three Parts Appendix: Further Readings Bibliography About the Author
Acknowledgments Introduction: Passing for One, Now the Other Chapter One: Hubert Henry Harrison: New Negro Street Corner Radicalism Chapter Two: George Schuyler and his Black No More Renaissance Chapter Three: Wallace Thurman's Youth Blackens the Berries Conclusion: Rethinking Blackness in Three Parts Appendix: Further Readings Bibliography About the Author
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