Rewriting Television suggests that it is time for a radical overhaul of television studies. If we donâ t want to merely recycle the same old methods, approaches and tropes for another twenty years, we need to consider major changes in why and how we do our work. This book offers a new model for doing television (or film, or media) studies that can be taken up around the world.
Rewriting Television suggests that it is time for a radical overhaul of television studies. If we donâ t want to merely recycle the same old methods, approaches and tropes for another twenty years, we need to consider major changes in why and how we do our work. This book offers a new model for doing television (or film, or media) studies that can be taken up around the world.
ALISON PEIRSE is a professor in film and media at the University of Leeds, UK. Her research focuses on illuminating women’s invisible or overlooked contributions to the production of genre film and television. Her books include the multi-award-winning Women Make Horror: Filmmaking, Feminism, Genre (Rutgers University Press, 2020).
Inhaltsangabe
1 The One-Long-Slow-Idea Book 2 Methods 3 Cast of Characters and Dialogue Key 4 Commissioning 5 Form 6 “That’s TV, It Isn’t Like Writing a Poem” 7 Development 8 Story 9 “It Is Horrible, It Is Necessary” 10 Voice 11 Glorious Coda: “How Are We Going to Get Out of This?” Acknowledgments Notes Index
1 The One-Long-Slow-Idea Book 2 Methods 3 Cast of Characters and Dialogue Key 4 Commissioning 5 Form 6 “That’s TV, It Isn’t Like Writing a Poem” 7 Development 8 Story 9 “It Is Horrible, It Is Necessary” 10 Voice 11 Glorious Coda: “How Are We Going to Get Out of This?” Acknowledgments Notes Index
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