Corinne A. Kratz examines exhibition design as communication, analyzing how the multiple media combined and orchestrated through exhibit design create a platform through which visitors forge meanings and values during their exhibit encounters.
Corinne A. Kratz examines exhibition design as communication, analyzing how the multiple media combined and orchestrated through exhibit design create a platform through which visitors forge meanings and values during their exhibit encounters.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Corinne A. Kratz is Distinguished Professor of Anthropology and African Studies Emerita at Emory University and Research Associate of the Museum of International Folk Art. She is coeditor of Museum Frictions: Public Cultures/Global Transformations, also published by Duke University Press, and author of The Ones That Are Wanted: Communication and the Politics of Representation in a Photographic Exhibition and Affecting Performance: Meaning, Movement, and Experience in Okiek Women’s Initiation.
Inhaltsangabe
List of Illustrations ix Acknowledgments xv 1. Looking into the Void: Exhibition Design and Communication 1 2. Rhetorics of Value: Fashioning Worth and Meaning through Cultural Display 23 3. From Tippoo’s Tiger to Kauai Lagoons: Constituting Authorities, Defining Diversities, and Poetics of Similarity and Difference (co-authored with Ivan Karp) 65 4. What Makes Exhibitions Ethnographic? 101 5. Portable Technologies: Adapting and Transforming Ethnographic Exhibits and African Museums 137 6. Redesigning Popular Histories and Facing Race Through Exhibition 171 7. Alchemies and Encounters in Exhibit Design and Communication 211 Appendix A. The Riddle of Exhibit Design: Essential but Overlooked 239 Appendix B. The Field of Visitor Studies and Exhibit Design 245 Notes 249 References 299 Index
List of Illustrations ix Acknowledgments xv 1. Looking into the Void: Exhibition Design and Communication 1 2. Rhetorics of Value: Fashioning Worth and Meaning through Cultural Display 23 3. From Tippoo’s Tiger to Kauai Lagoons: Constituting Authorities, Defining Diversities, and Poetics of Similarity and Difference (co-authored with Ivan Karp) 65 4. What Makes Exhibitions Ethnographic? 101 5. Portable Technologies: Adapting and Transforming Ethnographic Exhibits and African Museums 137 6. Redesigning Popular Histories and Facing Race Through Exhibition 171 7. Alchemies and Encounters in Exhibit Design and Communication 211 Appendix A. The Riddle of Exhibit Design: Essential but Overlooked 239 Appendix B. The Field of Visitor Studies and Exhibit Design 245 Notes 249 References 299 Index
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