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Richard Wagner (1813-83) grew up in Dresden and served as Kapellmeister to King Frederick Augustus II of Saxony there from 1843 until he was forced to flee the country after the 1849 uprising. His operas Rienzi and Der fliegende Holländer received their first performances at the Dresden Court Theatre. During his time in the city, Wagner became firm friends with the composer and violinist Theodor Uhlig, the stage manager and chorus master Wilhelm Fischer, and the comedian and costume designer Ferdinand Heine. This collection of letters from the composer to his three great friends covers the…mehr

Produktbeschreibung
Richard Wagner (1813-83) grew up in Dresden and served as Kapellmeister to King Frederick Augustus II of Saxony there from 1843 until he was forced to flee the country after the 1849 uprising. His operas Rienzi and Der fliegende Holländer received their first performances at the Dresden Court Theatre. During his time in the city, Wagner became firm friends with the composer and violinist Theodor Uhlig, the stage manager and chorus master Wilhelm Fischer, and the comedian and costume designer Ferdinand Heine. This collection of letters from the composer to his three great friends covers the period 1841-68. First published in 1888, the letters are reissued here in the 1890 English translation by the pianist and Beethoven scholar John South Shedlock (1843-1919). They offer an intimate and compelling insight into Wagner's personal and professional life and his forthright views on many contemporary musicians and public figures.
Autorenporträt
Richard Wagner was a German composer and conductor of the 19th century. He was born in Leipzig in 1813 and began studying music at a young age. He later moved to Dresden, where he worked as a conductor and composer. Wagner is best known for his operas, which include Tristan and Isolde, The Ring of the Nibelung, and Parsifal. He was a controversial figure during his lifetime due to his unorthodox views on music and his involvement in revolutionary politics. Wagner was also a prolific writer and commentator on music, art, and politics. In addition to his autobiography, My Life, he wrote several essays on music theory and aesthetics. He is credited with developing the concept of Gesamtkunstwerk, or "total artwork," which incorporates music, drama, and visual elements into a unified whole.