This book examines how the early American poets Anne Bradstreet and Phillis Wheatley gained agency within a traditionally patriarchal field of literary production during the seventeenth and eighteenth centuries. This study provides new conceptions of early American women's writing that are valuable to feminist inquiry.
This book examines how the early American poets Anne Bradstreet and Phillis Wheatley gained agency within a traditionally patriarchal field of literary production during the seventeenth and eighteenth centuries. This study provides new conceptions of early American women's writing that are valuable to feminist inquiry.
Kathrynn Seidler Engberg, Ph.D. is an assistant professor in the Department of English at Alabama A&M University and lives in Huntsville, Alabama.
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Chapter 1 Preface Chapter 2 Acknowledgements Chapter 3 Introduction: Remember the Ladies Chapter 4 Chapter 1: Anne Bradstreet Part 5 I. To Be a Woman in Print: Prefatory Politics Part 6 II. From Coterie to Print: The Promiscuity of Public Exchange Part 7 III. "To Play the Rex" Part 8 IV. Vexed by Vanity, She Speaks Her Mind Chapter 9 Chapter 2: Phillis Wheatley Part 10 I. To Be a Slave in Print: Prefatory Politics Part 11 II. The Power Of Passivity: Phillis's Poetics Part 12 III. "In Vain the Feather'd Warblers Sing" Chapter 13 Conclusion: Female Poets in Nineteenth Century America Chapter 14 Works Cited
Chapter 1 Preface Chapter 2 Acknowledgements Chapter 3 Introduction: Remember the Ladies Chapter 4 Chapter 1: Anne Bradstreet Part 5 I. To Be a Woman in Print: Prefatory Politics Part 6 II. From Coterie to Print: The Promiscuity of Public Exchange Part 7 III. "To Play the Rex" Part 8 IV. Vexed by Vanity, She Speaks Her Mind Chapter 9 Chapter 2: Phillis Wheatley Part 10 I. To Be a Slave in Print: Prefatory Politics Part 11 II. The Power Of Passivity: Phillis's Poetics Part 12 III. "In Vain the Feather'd Warblers Sing" Chapter 13 Conclusion: Female Poets in Nineteenth Century America Chapter 14 Works Cited
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