Romantic Futures
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Romantic Futures is a collection which explores the significance of futurity in British Romanticism from a comparative perspective in three defining manifestations: the future as conscious legacy, by which is meant both influences or continuities and the (anticipations of) impact on the future; the future as revealed by prophecy, whether via religious figures or superstitions; and a meditation on the temporality of the future, or the future as a concept. The book brings together a wide range of theoretical and disciplinary perspectives: from utopian studies, history, religion, and cultural…mehr

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Produktbeschreibung
Romantic Futures is a collection which explores the significance of futurity in British Romanticism from a comparative perspective in three defining manifestations: the future as conscious legacy, by which is meant both influences or continuities and the (anticipations of) impact on the future; the future as revealed by prophecy, whether via religious figures or superstitions; and a meditation on the temporality of the future, or the future as a concept. The book brings together a wide range of theoretical and disciplinary perspectives: from utopian studies, history, religion, and cultural theory to future studies, neuroscience, video games, and art history. Aiming to increase and diversify current critical engagement and highlight the contemporary relevance of the Romantics' multivalent preoccupation with the future, this collection renews the dialogue between Romanticism and our critical relation to its contemporaneity, especially as it speaks to current understandings of the future in the sciences, arts, and humanities.
Autorenporträt
Evy Varsamopoulou is Associate Professor in Romanticism and Comparative Literature at the University of Cyprus. Her research and publications include articles and book chapters on Romanticism, comparative literature, ecocriticism, film, ethics, political philosophy, and aesthetics. She has published a monograph, The Poetics of the Künstlerinroman and the Aesthetics of the Sublime (Ashgate, 2002; Routledge, 2017), and edited special issues on the European tradition of the artist novel and on the future university for NewComparison (2002) and The European Legacy (2013), respectively. Her current research projects engage with issues of the future, truth, violence, and the environment in literature and film from a comparative perspective.