This volume presents the most wide-ranging transnational and transdisciplinary treatment of Romantic regenerations. Its transnational and transdisciplinary emphases provides readers a lens through which to understand Romanticism as a dynamic site of engagement that shapes our global civilization.
This volume presents the most wide-ranging transnational and transdisciplinary treatment of Romantic regenerations. Its transnational and transdisciplinary emphases provides readers a lens through which to understand Romanticism as a dynamic site of engagement that shapes our global civilization.
Part I Realist Romanticism 1. Romantic Walking and Railway Realism 2. The Use and Abuse of Romance: Realist Revisions of Walter Scott in England, France, and Germany 3. Chekhov on the Meaning of Life: After Romanticism and Nihilism Part II Fin-de-Siècle Romanticism 4. Keats Gone Wilde: Wilde's Romantic Self-Fashioning at the Fin de Siècle 5. Delacroix, Signac, and the Aesthetic Revolution in Fin-de-siècle France 6. Mediating Richard Wagner and Henry Bishop: Frederick Corder and the Different Legacies of German and English Romantic Opera Part III (Post)Modern Romanticism 7. Platonism, Its Heirs, and the Last Romantic 8. Vexed Meditation: Romantic Idealism in Coleridge and Its Afterlife in Bataille and Irigaray 9. "You have to be a transparent eyeball": Transcendental Afterlives in Matthew Weiner's Mad Men Part IV Environmental Romanticism 10. Tracing Romanticism in the Anthropocene: An Ecocritical Reading of Ludwig Tieck's Rune Mountain 11. The Eye of the Earth: Nonhuman Vision from Blake to Contemporary Ecocriticism 12. "Indistinctness is my forte": Turner, Ruskin, and the Climate of Art Part V Oriental Romanticism 13. ReOrienting Romanticism: The Legacy of Indian Romantic Poetry in English 14. Grafting German Romanticism onto the Chinese Revolution: Goethe, Guo Morou, and the Pursuit of Self-Transcendence 15. Two Chinese Wordsworths: The Reception of Wordsworth in Twentieth-Century China 16. "The world must be made Romantic": The Sentimental Grotesque in Tetsuya Ishida's "Self-Portraits of Others"
Part I Realist Romanticism 1. Romantic Walking and Railway Realism 2. The Use and Abuse of Romance: Realist Revisions of Walter Scott in England, France, and Germany 3. Chekhov on the Meaning of Life: After Romanticism and Nihilism Part II Fin-de-Siècle Romanticism 4. Keats Gone Wilde: Wilde's Romantic Self-Fashioning at the Fin de Siècle 5. Delacroix, Signac, and the Aesthetic Revolution in Fin-de-siècle France 6. Mediating Richard Wagner and Henry Bishop: Frederick Corder and the Different Legacies of German and English Romantic Opera Part III (Post)Modern Romanticism 7. Platonism, Its Heirs, and the Last Romantic 8. Vexed Meditation: Romantic Idealism in Coleridge and Its Afterlife in Bataille and Irigaray 9. "You have to be a transparent eyeball": Transcendental Afterlives in Matthew Weiner's Mad Men Part IV Environmental Romanticism 10. Tracing Romanticism in the Anthropocene: An Ecocritical Reading of Ludwig Tieck's Rune Mountain 11. The Eye of the Earth: Nonhuman Vision from Blake to Contemporary Ecocriticism 12. "Indistinctness is my forte": Turner, Ruskin, and the Climate of Art Part V Oriental Romanticism 13. ReOrienting Romanticism: The Legacy of Indian Romantic Poetry in English 14. Grafting German Romanticism onto the Chinese Revolution: Goethe, Guo Morou, and the Pursuit of Self-Transcendence 15. Two Chinese Wordsworths: The Reception of Wordsworth in Twentieth-Century China 16. "The world must be made Romantic": The Sentimental Grotesque in Tetsuya Ishida's "Self-Portraits of Others"
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