This book, published in 2000, examines the relationship between British Romantic poetry and the human sciences of the period. Maureen McLane offers original readings of major works in the Romantic canon, focusing on their engagement with the philosophical, political and anthropological writing of pre-eminent theorists such as Malthus, Godwin, Burke and others.
This book, published in 2000, examines the relationship between British Romantic poetry and the human sciences of the period. Maureen McLane offers original readings of major works in the Romantic canon, focusing on their engagement with the philosophical, political and anthropological writing of pre-eminent theorists such as Malthus, Godwin, Burke and others.
Maureen N. McLane was educated at the Universities of Harvard, Oxford, and Chicago. She is the author of Same Life: Poems (Farrar, Straus and Giroux, 2008) and Balladeering, Minstrelsy, and the Making of British Romantic Poetry (Cambridge University Press, 2008). She is also co-editor of The Cambridge Companion to British Romantic Poetry (Cambridge University Press, 2008). A contributing editor at the Boston Review, she was for years the chief poetry critic of the Chicago Tribune, and her articles on poetry, contemporary fiction, teaching, and sexuality have appeared in many venues, including The New York Times, The Washington Post, American Poet, the Poetry Foundation website, The Boston Globe, The Boston Phoenix, the Chicago Review, and the Harvard Review. In 2003 she won the National Book Critics Circle's Nona Balakian Award for Excellence in Book Reviewing, and in 2007 she was elected to a three-year term on the Board of Directors of the NBCC. She has taught at Harvard University, the University of Chicago, MIT, and the East Harlem Poetry Project, and is currently an Associate Professor in the English Department at NYU. Her poems have appeared or are forthcoming in jubilat, American Poet, The New Yorker, Slate, Canary, Circumference, A Public Space, American Letters and Commentary, The American Scholar, New American Writing, the Harvard Review, and Jacket. Her interests include contemporary poetry, British romanticism, balladry, historiography, psychoanalysis, anthropology, American studies and Scottish studies.
Inhaltsangabe
Acknowledgements Introduction, or the thing at hand 1. Toward an anthropologic: poetry, literature, and the discourse of the species 2. Do rustics think? Wordworth, Coleridge, and the problem of a 'human diction' 3. Literate species: populations, 'humanities', and the specific failure of literature in Frankenstein 4. The 'arithmetic of futurity': poetry, population, and the structure of the future 5. Dead poets and other romantic populations: immortality and its discontents Epilogue, or Immortality interminable: the use of poetry for life Notes Bibliography Index.
Acknowledgements Introduction, or the thing at hand 1. Toward an anthropologic: poetry, literature, and the discourse of the species 2. Do rustics think? Wordworth, Coleridge, and the problem of a 'human diction' 3. Literate species: populations, 'humanities', and the specific failure of literature in Frankenstein 4. The 'arithmetic of futurity': poetry, population, and the structure of the future 5. Dead poets and other romantic populations: immortality and its discontents Epilogue, or Immortality interminable: the use of poetry for life Notes Bibliography Index.
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