"Thirty years ago, a professor threw a chair at Sina Queyras after they'd turned in an essay on Virginia Woolf. Queyras returns to that contentious first encounter with Virignia Woolf to recover the body and thinking of that time. Rooms, bodies, Beadles: using Woolf's A Room of One's Own as a touchstone, this book is both an homage to and provocation of the idea of a room of one's own at the centre of our idea of a literary life. How central is the room? And what happens once we get one? Do we inhabit our rooms? Or do the rooms contain us? Blending memoir, prose, tweets, poetry, and criticism,…mehr
"Thirty years ago, a professor threw a chair at Sina Queyras after they'd turned in an essay on Virginia Woolf. Queyras returns to that contentious first encounter with Virignia Woolf to recover the body and thinking of that time. Rooms, bodies, Beadles: using Woolf's A Room of One's Own as a touchstone, this book is both an homage to and provocation of the idea of a room of one's own at the centre of our idea of a literary life. How central is the room? And what happens once we get one? Do we inhabit our rooms? Or do the rooms contain us? Blending memoir, prose, tweets, poetry, and criticism, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind, and from a very private life of the mind to a public life of the page, and from a life of the page into a life in the Academy, the Internet, and social medias."--
Sina Queyras a Montreal/Tiohtià:ke-based writer, professor, editor, and literary organizer. They are the author of seven poetry collections, a novel, and a book of essays, as well as the founder of the blog Lemon Hound , which was for many years the digital hub of the Canadian poetry scene. Their latest collection, My Ariel (Coach House, 2017), riffs on Sylvia Plath's Ariel, reimagining, queering, and inhabiting its iconic poems.
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