This work examines important social, geo-political, cultural and artistic components involving the staging, both past and contemporary, rural and urban, amateur and professional, of some of the most relevant Spanish Golden Age historical plays.
This work examines important social, geo-political, cultural and artistic components involving the staging, both past and contemporary, rural and urban, amateur and professional, of some of the most relevant Spanish Golden Age historical plays.
Elena García-Martín is associate professor at the University of Utah.
Inhaltsangabe
Introduction: Performances ofGolden Age Theatre at the Margins: Shaping Local Identities and Cultural Traditions Chapter 1: Local Readings and Cultural Politics of Space in Fuenteovejuna Chapter 2: The Ritual in Everyday Practices: Participatory Culture and El alcalde de Zalamea Chapter 3: Unity of Place, the True Protagonist: Calahorra in Los tres blasones de España Chapter 4: Numancia: from Oral Tradition to Historical "Truth" Conclusion: Golden Age Theatre of Resistance Bibliography Index About the Author
Introduction: Performances ofGolden Age Theatre at the Margins: Shaping Local Identities and Cultural Traditions Chapter 1: Local Readings and Cultural Politics of Space in Fuenteovejuna Chapter 2: The Ritual in Everyday Practices: Participatory Culture and El alcalde de Zalamea Chapter 3: Unity of Place, the True Protagonist: Calahorra in Los tres blasones de España Chapter 4: Numancia: from Oral Tradition to Historical "Truth" Conclusion: Golden Age Theatre of Resistance Bibliography Index About the Author
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