This book explores how artistic strategies of resistance have survived under the conservative-authoritarian regime which has been in place in Russia since 2012. It discusses the conditions under which artists work as aesthetics change and the state attempts to define what constitutes good taste.
This book explores how artistic strategies of resistance have survived under the conservative-authoritarian regime which has been in place in Russia since 2012. It discusses the conditions under which artists work as aesthetics change and the state attempts to define what constitutes good taste.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Routledge Contemporary Russia and Eastern Europe Series
Lena Jonson is a Senior Associate Research Fellow at the Swedish Institute of International Affairs. Andrei Erofeev is a widely published art historian, curator, and former head of the contemporary art section of the Tretyakov Gallery, Moscow, Russia.
Inhaltsangabe
1. Introduction Part I: The Conservative Zeitgeist and Russian Cultural Policy 2. The "Russian World", Genetically Modified Conservatism, or Why Culture Matters 3. The New State Cultural Policy and Visual Art 4. Neo-traditional Fits with Neo-liberal Shifts in Russian Cultural Policy since 2010 5. Daughterland [Rodina-Doch]: Contemporary Russian Messianism and Neo-conservative Visuality 6. The Case of Hungary - a Parallel Development Part II: The State of Affairs: Voices from the Russian Art Scene 7. Culture as the Enemy: Contemporary Russian Art under the Authoritarian Regime 8. Voices from within the Art Scene. Interviews with Russian Artists Part III: Artistic Counter-Strategies 9. Dissensus and "Shimmering": Tergiversation as Politics 10. Humor as a Bulletproof Vest: Artists Embracing an Ironic Zeitgeist 11. Demontage of Attractions 12. The Chto Delat School for Engaged Art and Zoya Kosmodemyanskaya 13. A Dilemma for the Contemporary Artist: "Revolutionary Pessimism" of Roman Osminkin 14. Radical Art Actionism 15. Petr Pavlenskii and his Actions" 16. Document: Pavlenskii and Yasman: Dialogues about Art Part IV: Theatre: A Parallel Development 17. Theatre of a Period of Archaization 18. Non-conformist Theatre in Russia: Past and Present
1. Introduction Part I: The Conservative Zeitgeist and Russian Cultural Policy 2. The "Russian World", Genetically Modified Conservatism, or Why Culture Matters 3. The New State Cultural Policy and Visual Art 4. Neo-traditional Fits with Neo-liberal Shifts in Russian Cultural Policy since 2010 5. Daughterland [Rodina-Doch]: Contemporary Russian Messianism and Neo-conservative Visuality 6. The Case of Hungary - a Parallel Development Part II: The State of Affairs: Voices from the Russian Art Scene 7. Culture as the Enemy: Contemporary Russian Art under the Authoritarian Regime 8. Voices from within the Art Scene. Interviews with Russian Artists Part III: Artistic Counter-Strategies 9. Dissensus and "Shimmering": Tergiversation as Politics 10. Humor as a Bulletproof Vest: Artists Embracing an Ironic Zeitgeist 11. Demontage of Attractions 12. The Chto Delat School for Engaged Art and Zoya Kosmodemyanskaya 13. A Dilemma for the Contemporary Artist: "Revolutionary Pessimism" of Roman Osminkin 14. Radical Art Actionism 15. Petr Pavlenskii and his Actions" 16. Document: Pavlenskii and Yasman: Dialogues about Art Part IV: Theatre: A Parallel Development 17. Theatre of a Period of Archaization 18. Non-conformist Theatre in Russia: Past and Present
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