This landmark series opens up exciting vistas of challenging and rewarding repertoire for the discerning and adventurous singer. As with the Peters companion volumes of French Operatic Arias, this Russian series presents many of the justly celebrated arias, but also juxtaposes them with other less familiar gems, which undoubtedly deserve wider recognition. Much of the selected repertoire is eminently suitable for audition purposes, so that each volume is a treasure trove for professional singers and students. Eine Sammlung von russischen Opernarien für Sopran aus dem 19. und 20. Jahrhundert,…mehr
This landmark series opens up exciting vistas of challenging and rewarding repertoire for the discerning and adventurous singer. As with the Peters companion volumes of French Operatic Arias, this Russian series presents many of the justly celebrated arias, but also juxtaposes them with other less familiar gems, which undoubtedly deserve wider recognition. Much of the selected repertoire is eminently suitable for audition purposes, so that each volume is a treasure trove for professional singers and students. Eine Sammlung von russischen Opernarien für Sopran aus dem 19. und 20. Jahrhundert, ausgewählt und herausgegeben von David Fanning, mit Übersetzungen von Martin Pickard.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ah! Bitter woe! (Prince Igor (Yaroslavana)) (Borodin); Down the river is our village (A Life for the Tsar (Antonida)); Captive and in dark despair (Ruslan and Lyudmila (Lyudmila)) (Glinka); Ah, do not weep my darling (Sorochintsy Fair (Parasya)) (Mussorgsky); Ah, do not weep, my Paulo (Francesca da Rimini (Francesca)) (Rachmaninov); Dream walked by the riverside (Sadko (Sea Princess/Vlkhova)); In Novgorod we lived not far from Vanya (The Tsar's Bride (Marfa)) (Rimsky-Korsakov); All-seeing Sun, you rise in glory (The Golden Cockerel (Queen of Shemakha)) (Rimsky-Korsakov); Why do so many people praise me? (Christmas Eve (Oksana)) (Rimsky-Korsakov); I remember the days of my youth (Judith (Judith)) (Serov); Look at nature (Lady Macbeth of Mtsensk District (Katerina)) (Shostakovich); I cannot hide my love (letter scene) (Yevgeny Onegin (Tatyana)) (Tchaikovsky); When your eyes look down from old Nizhny town (The Enchantress (Kuma)) (Tchaikovsky); My beloved, where are you? (The Enchantress (Kuma)) (Tchaikovsky); Sorrow and fear overwhelm me (Queen of Spades (Liza)) (Tchaikovsky)
Ah! Bitter woe! (Prince Igor (Yaroslavana)) (Borodin); Down the river is our village (A Life for the Tsar (Antonida)); Captive and in dark despair (Ruslan and Lyudmila (Lyudmila)) (Glinka); Ah, do not weep my darling (Sorochintsy Fair (Parasya)) (Mussorgsky); Ah, do not weep, my Paulo (Francesca da Rimini (Francesca)) (Rachmaninov); Dream walked by the riverside (Sadko (Sea Princess/Vlkhova)); In Novgorod we lived not far from Vanya (The Tsar's Bride (Marfa)) (Rimsky-Korsakov); All-seeing Sun, you rise in glory (The Golden Cockerel (Queen of Shemakha)) (Rimsky-Korsakov); Why do so many people praise me? (Christmas Eve (Oksana)) (Rimsky-Korsakov); I remember the days of my youth (Judith (Judith)) (Serov); Look at nature (Lady Macbeth of Mtsensk District (Katerina)) (Shostakovich); I cannot hide my love (letter scene) (Yevgeny Onegin (Tatyana)) (Tchaikovsky); When your eyes look down from old Nizhny town (The Enchantress (Kuma)) (Tchaikovsky); My beloved, where are you? (The Enchantress (Kuma)) (Tchaikovsky); Sorrow and fear overwhelm me (Queen of Spades (Liza)) (Tchaikovsky)
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