Sarah Waters
Contemporary Critical Perspectives
Herausgeber: Mitchell, Kaye
Sarah Waters
Contemporary Critical Perspectives
Herausgeber: Mitchell, Kaye
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Leading scholars explore the work of Sarah Waters from a full range of critical perspectives. Includes a new interview with the author.
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Leading scholars explore the work of Sarah Waters from a full range of critical perspectives. Includes a new interview with the author.
Produktdetails
- Produktdetails
- Contemporary Critical Perspectives
- Verlag: Bloomsbury Publishing Plc
- Seitenzahl: 184
- Erscheinungstermin: 18. Juli 2013
- Englisch
- Abmessung: 233mm x 156mm x 20mm
- Gewicht: 300g
- ISBN-13: 9781441199416
- ISBN-10: 1441199411
- Artikelnr.: 37632416
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Contemporary Critical Perspectives
- Verlag: Bloomsbury Publishing Plc
- Seitenzahl: 184
- Erscheinungstermin: 18. Juli 2013
- Englisch
- Abmessung: 233mm x 156mm x 20mm
- Gewicht: 300g
- ISBN-13: 9781441199416
- ISBN-10: 1441199411
- Artikelnr.: 37632416
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Kaye Mitchell is Lecturer in Contemporary Literature in the Centre for New Writing at the University of Manchester, UK. She is the author of A. L Kennedy (Palgrave 2007) and Intention and Text (Continuum, 2008).
Foreword: Adapting Sarah Waters, Andrew Davies
Series Editors' Preface
Acknowledgements
Contributors
Chronology of Sarah Waters' Life
Introduction: The Popular and Critical Reception of Sarah Waters, Kaye
Mitchell (University of Manchester, UK)
Chapter 1: 'Taking back the night'? Feminism in Sarah Waters' Affinity and
Virginia Woolf's Night and Day, Susan Alice Fischer (CUNY, USA)
Chapter 2: Sexing the Labyrinth: Space and Sexuality in Sarah Waters'
Affinity, Rebecca Pohl (University of Manchester, UK)
Chapter 3: 'You know everything. I know nothing': (Re)Reading Fingersmith
's Deceptive Doubles, Sarah Gamble (Swansea University, UK)
Chapter 4: 'Something new and a bit startling': Sarah Waters and the
Historical Novel, Jerome de Groot (University of Manchester, UK)
Chapter 5: 'Possibility, pleasure and peril': The Night Watch as a Very
Literary History, Natasha Alden (Aberystwyth University, UK)
Chapter 6: 'What does it feel like to be an anachronism?' Time in The Night
Watch, Kaye Mitchell (University of Manchester, UK)
Chapter 7: The Country House Revisited: Sarah Waters' The Little Stranger,
Emma Parker (Leicester University, UK)
Chapter 8: The Death of the Lady: Haunted Garments and (Re)Possession in
The Little Stranger, Monica Germanà (University of Westminster, UK)
Interview: "I'd love to write an anti-Downton!": An Interview with Sarah
Waters, Kaye Mitchell (University of Manchester, UK)
References
Further Reading
Index
Series Editors' Preface
Acknowledgements
Contributors
Chronology of Sarah Waters' Life
Introduction: The Popular and Critical Reception of Sarah Waters, Kaye
Mitchell (University of Manchester, UK)
Chapter 1: 'Taking back the night'? Feminism in Sarah Waters' Affinity and
Virginia Woolf's Night and Day, Susan Alice Fischer (CUNY, USA)
Chapter 2: Sexing the Labyrinth: Space and Sexuality in Sarah Waters'
Affinity, Rebecca Pohl (University of Manchester, UK)
Chapter 3: 'You know everything. I know nothing': (Re)Reading Fingersmith
's Deceptive Doubles, Sarah Gamble (Swansea University, UK)
Chapter 4: 'Something new and a bit startling': Sarah Waters and the
Historical Novel, Jerome de Groot (University of Manchester, UK)
Chapter 5: 'Possibility, pleasure and peril': The Night Watch as a Very
Literary History, Natasha Alden (Aberystwyth University, UK)
Chapter 6: 'What does it feel like to be an anachronism?' Time in The Night
Watch, Kaye Mitchell (University of Manchester, UK)
Chapter 7: The Country House Revisited: Sarah Waters' The Little Stranger,
Emma Parker (Leicester University, UK)
Chapter 8: The Death of the Lady: Haunted Garments and (Re)Possession in
The Little Stranger, Monica Germanà (University of Westminster, UK)
Interview: "I'd love to write an anti-Downton!": An Interview with Sarah
Waters, Kaye Mitchell (University of Manchester, UK)
References
Further Reading
Index
Foreword: Adapting Sarah Waters, Andrew Davies
Series Editors' Preface
Acknowledgements
Contributors
Chronology of Sarah Waters' Life
Introduction: The Popular and Critical Reception of Sarah Waters, Kaye
Mitchell (University of Manchester, UK)
Chapter 1: 'Taking back the night'? Feminism in Sarah Waters' Affinity and
Virginia Woolf's Night and Day, Susan Alice Fischer (CUNY, USA)
Chapter 2: Sexing the Labyrinth: Space and Sexuality in Sarah Waters'
Affinity, Rebecca Pohl (University of Manchester, UK)
Chapter 3: 'You know everything. I know nothing': (Re)Reading Fingersmith
's Deceptive Doubles, Sarah Gamble (Swansea University, UK)
Chapter 4: 'Something new and a bit startling': Sarah Waters and the
Historical Novel, Jerome de Groot (University of Manchester, UK)
Chapter 5: 'Possibility, pleasure and peril': The Night Watch as a Very
Literary History, Natasha Alden (Aberystwyth University, UK)
Chapter 6: 'What does it feel like to be an anachronism?' Time in The Night
Watch, Kaye Mitchell (University of Manchester, UK)
Chapter 7: The Country House Revisited: Sarah Waters' The Little Stranger,
Emma Parker (Leicester University, UK)
Chapter 8: The Death of the Lady: Haunted Garments and (Re)Possession in
The Little Stranger, Monica Germanà (University of Westminster, UK)
Interview: "I'd love to write an anti-Downton!": An Interview with Sarah
Waters, Kaye Mitchell (University of Manchester, UK)
References
Further Reading
Index
Series Editors' Preface
Acknowledgements
Contributors
Chronology of Sarah Waters' Life
Introduction: The Popular and Critical Reception of Sarah Waters, Kaye
Mitchell (University of Manchester, UK)
Chapter 1: 'Taking back the night'? Feminism in Sarah Waters' Affinity and
Virginia Woolf's Night and Day, Susan Alice Fischer (CUNY, USA)
Chapter 2: Sexing the Labyrinth: Space and Sexuality in Sarah Waters'
Affinity, Rebecca Pohl (University of Manchester, UK)
Chapter 3: 'You know everything. I know nothing': (Re)Reading Fingersmith
's Deceptive Doubles, Sarah Gamble (Swansea University, UK)
Chapter 4: 'Something new and a bit startling': Sarah Waters and the
Historical Novel, Jerome de Groot (University of Manchester, UK)
Chapter 5: 'Possibility, pleasure and peril': The Night Watch as a Very
Literary History, Natasha Alden (Aberystwyth University, UK)
Chapter 6: 'What does it feel like to be an anachronism?' Time in The Night
Watch, Kaye Mitchell (University of Manchester, UK)
Chapter 7: The Country House Revisited: Sarah Waters' The Little Stranger,
Emma Parker (Leicester University, UK)
Chapter 8: The Death of the Lady: Haunted Garments and (Re)Possession in
The Little Stranger, Monica Germanà (University of Westminster, UK)
Interview: "I'd love to write an anti-Downton!": An Interview with Sarah
Waters, Kaye Mitchell (University of Manchester, UK)
References
Further Reading
Index