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Looking in detail at the works of Baraka, Soyinka, Walcott and Shange and their historical trajectories in black anti-Eurocentric discourses, Olaniyan offers a sophisticated reading of how these writers are preoccupied with the invention of a post-imperial cultural identity. Drawing on contemporary theory and cultural studies, Olaniyan provides a meticulous account of the social foundations of an important aesthetic form, the drama of the African diaspora.

Produktbeschreibung
Looking in detail at the works of Baraka, Soyinka, Walcott and Shange and their historical trajectories in black anti-Eurocentric discourses, Olaniyan offers a sophisticated reading of how these writers are preoccupied with the invention of a post-imperial cultural identity. Drawing on contemporary theory and cultural studies, Olaniyan provides a meticulous account of the social foundations of an important aesthetic form, the drama of the African diaspora.